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Camilla Gibb

Camilla Gibb Books

Writer

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“Clench clench these strong teeth in this strong mouth. My mouth. Of my body. In my house. My mouth? Chapped lips swollen and bloody? Dream dreaming wide and thunder? My mouth! My God! This is me speaking. Not mouthing. Not typing and twitching. Not writing a suicide note the length of a novel that will never be finished. I hear voices now but I know they are not the voices of fathers or lovers, or mothers or angels or demons, but the sounds of my own private wars echoing the battles of women before me and near me. No wonder I do not make people comfortable. I am a mirror. I have far too many things to say. (p. 237-238)”

SilenceTrauma
Book:Mouthing The Words
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“That idea is strange to me. People keep on loving? People keep on loving even if you are not there in their face everyday to remind them? People keep on loving even if they no longer see you at all? People keep on loving even if they are loving someone else? Impossible: to believe you can be loved in absence when you don't even know how it feels to be loved when you are there.”

PeopleIfsKnowsFeelsBelieveIdeasFacesKnow HowImpossibleStrangeEverydayAbsenceLoving SomeoneBelieve You Can
Book:Mouthing The Words
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“Once you step inside, history has to be rewritten to include you. A fiction develops a story that weaves you into the social fabric, giving you roots and a local identity. You are assimilated, and in erasing your differences and making you one of their own, the community can maintain belief in its wholeness and purity. After two or three generations, nobody remembers the story is fiction. It has become fact. And this is how history is made.”

GivingMadeTwoFactsStoriesRememberThreeBeliefSocialCommunityDifferencesFictionStepsGenerationsIdentityRootsLocalsPurityFabricWholenessThree Generations
Book:Sweetness in the Belly
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“It is not simply what one remembers, but why. There are sites of amputation where the past is severed from the body of the present. Remembering only encourages the growth of phantom limbs. And it is not simply what one remembers, or why, but what to do with what one remembers, which of the scattered pieces to carry forward, what to protect and preserve, what to leave behind.”

BodyPastRememberGrowthBehindsPiecesProtectPreservesSiteLimbsPhantomsAmputationPhantom Limbs
Book:Sweetness in the Belly
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