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David Salle

David Salle Quotes

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Famous David Salle Quotes

“Fairfield Porter who has been my model for art writing all along, said that if the most interesting thing about a work of art is its content, it's probably a failure. I think it's true that if you find yourself thinking about the meaning in an author's message, it's probably not very interesting as art. Obviously, this is a tough concept, because if you withdraw intention.”

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“I was actually dumbfounded by how some artists talked to each other. For example, it was a normal night at a bar, nothing very momentous, when in walked a painter. The other painters at the bar had a bit of an attitude about it. One said to him, "You know, I'm tired of that feeling of hot air coming out from behind your work." And I thought, "Well, that's interesting." I didn't know you could even think something like that, let alone say it right to someone's face.”

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“There were successful ways of expressing the attitude and less successful ways. I think that spirit is very much alive today actually. That's what a certain generation of curators is alert to or on the look out for: an attitude. And it is a brilliant and moving spectacle when it happens. That suspension of disbelief is something that we all respond to. But it's hard to capture the butterfly without tearing the wings off of it.”

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“There are so many different ways to talk and think about art. We just spoke about when attitude becomes form. But when I was a kid, I had these two art teachers, a couple, who were continuing a line of very classical, atelier art training, and they instilled in me a sensitivity to all the classical verities of line, shape, color, texture, and composition, which is only engaging if you're making two-dimensional objects.”

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“I'm always very grateful for stories about the great coffeehouse wits in Vienna at the turn of the last century. People would wait for a chance to stand near the table where the great wits were trading witticisms as a spectator sport because it was that good. They were that on fire and there was no product. They didn't write anything down. It was just the pleasure of engagement with the moment. I think that's my kind of ideal of how I live.”

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“I think a good painting or a good work of art does many things it wants, I mean, maybe 15 or 20 or 100. One of the things a painting does is to make the room look better. It improves the wall that it's on. Which is much harder than it looks. And that's a good thing. And if one engages with a painting on that level, that's fine, that's great. After some time, familiarity, the other things that a painting does, the other layers, they just start to make themselves felt.”

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