Quotessence
Home / Books / Two Phases of Criticism, Historical and Aesthetic: Lectures Delivered on the Larwill Foundation of Kenyon College, May Seventh and Eighth, 1913

Two Phases of Criticism, Historical and Aesthetic: Lectures Delivered on the Larwill Foundation of Kenyon College, May Seventh and Eighth, 1913

Book by George Edward Woodberry · 7 quotes · Art, Artist, Doe

Filter quotes by topic

AllArtArtistDoeExpressionFormMayMindTwoActorsAestheticAgeArrivingArt IsBronzeCenturyCitiesCity HallCommerceCriticsCycles

Two Phases of Criticism, Historical and Aesthetic: Lectures Delivered on the Larwill Foundation of Kenyon College, May Seventh and Eighth, 1913 Quotes

“It is not meant that the artist, in arriving at truth, must follow the way of the scientist, or, in stating it, the way of the philosopher.”

WayArtistScientistPhilosopherArriving
Book:Two Phases of Criticism, Historical and Aesthetic: Lectures Delivered on the Larwill Foundation of Kenyon College, May Seventh and Eighth, 1913
Create image

“You may name a bronze statue 'Liberty,' or a painted figure in a city hall 'Commerce,' or a marble form in a temple 'Athene' or 'Venus;' but what is really there is only a representation of a single woman.”

MayFormNamesCitiesLibertyFiguresTemplesHallsCommerceRepresentationStatuesMarbleVenusBronzeSingle WomenCity Hall
Book:Two Phases of Criticism, Historical and Aesthetic: Lectures Delivered on the Larwill Foundation of Kenyon College, May Seventh and Eighth, 1913
Create image

“Art does not, like science, set forth a permanent order of nature, the enduring skeleton of law. Two factors primarily determine its works: one is the idea in the mind of the artist, the other is his power of expression; and both these factors are extremely variable.”

MindDoeArtTwoIdeasLawArtistOrderExpressionEndureDetermineFactorsPermanentVariablesSkeletons
Book:Two Phases of Criticism, Historical and Aesthetic: Lectures Delivered on the Larwill Foundation of Kenyon College, May Seventh and Eighth, 1913
Create image

“Art is expression; what is expressed is often the vision of a subtle and powerful soul, and also his experience with his vision; and however vivid and skilful he may be in the means of expression, yet it is frequently found that the master-spell in his work is something felt to be indefinable and inexpressible.”

MayMeanArtSoulFoundFeltPowerfulVisionExpressionMastersArt IsSubtleSpellsVividIndefinable
Book:Two Phases of Criticism, Historical and Aesthetic: Lectures Delivered on the Larwill Foundation of Kenyon College, May Seventh and Eighth, 1913
Create image

“The critic is genius at one remove; he is not unlike an actor on the stage, and incarnates in his mind, as the actor embodies in his person, another's work; only thus does he understand art, realize it, know it; and having arrived at this, his task is done.”

KnowsMindPersonsDoeArtDoneActorsRealizingStageGeniusTasksCriticsRemove
Book:Two Phases of Criticism, Historical and Aesthetic: Lectures Delivered on the Larwill Foundation of Kenyon College, May Seventh and Eighth, 1913
Create image

“The growth of art seems to be in cycles, and often its vigorous lifetime is restricted to a century or two. The periods of distinctive drama, Greek, English, Spanish, fall within such a limit; the schools of painting and sculpture likewise; and, in poetry, the Victorian age or the school of Pope will serve as examples.”

ArtTwoSeemsAgeSchoolFallGrowthCenturyExamplePaintingPeriodsDramaLimitsLifetimeGreekCyclesPopeSculptureVigorousDistinctiveVictorianVictorian Age
Book:Two Phases of Criticism, Historical and Aesthetic: Lectures Delivered on the Larwill Foundation of Kenyon College, May Seventh and Eighth, 1913
Create image