“You're looking, moment by moment and scene by scene, how you can tell the most interesting story. So, we had this great short and we knew that we had a story about a boy and his dog. Because we had that pure emotional core, we could go on crazy tangents and always come back to Victor and Sparky. When I wrote in stuff like Weird Girl and the cat poop, Dutch Day and the windmill, it felt like it was part of Tim's universe.” MomentsStoriesGirlUniverseFeltStuffInterestingBoysCrazyDogEmotionalGoes OnScenePureCatCoreMost InterestingDutchPoopWindmillsInteresting StoriesGreat Short Author:John August
“One of those strange things that happens in movies is that you need someone to actually say people's names, or else you have no idea who those kids are. This was a way for her to introduce who the important boys were in the story, but then it just was so funny that it became a centerpiece to it. When you look at the character design that Tim did for Weird Girl, and what Catherine [O'Hara] did with the voice, and it's gonna kill.” PeopleWayNeedsLooksImportantIdeasCharacterStoriesHappensKidsGirlNamesVoiceBoysDesignStrangeNo IdeaIntroducingStrange ThingsCenterpiecesCharacter Design Author:John August
“Like Frankenweenie is a story about a boy and his dog, Big Fish is the story of a father and his son, and all those conversations you can't have. It's universal, in a way that can go from one medium to another medium. That's been the funnest, figuring out what we can do in a Broadway show that's unique and special.” WayStoriesShowsBigsFatherCan DoBoysSpecialDogSonConversationUniqueUniversalFishesMediumsBroadwayBroadway ShowsBig Fish Author:John August
