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John Flansburgh

John Flansburgh Biography

Musician

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“If you do believe in science, you really have to actually stand up and make a stand for it. You can't just say, the facts aren't in. Science is always looking for better explanations to everything, but that doesn't mean that when we get on a plane we don't know what's supposed to happen next. And if it doesn't go the way that it's planned, that's a big, big problem. The culture wars are very tricky and make me a little sad.”

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“There is a fact-based belief system available to you if you want to believe in facts. But this is the weirdest time. I mean, after Nixon I thought nothing could be weirder. Then there was Reagan, and after Reagan I thought nothing could be weirder. Then there was Bush and Bush's son, and it all just seemed like nothing could be a badder joke than George W. Bush. And now we're here. It seems to just yo-yo around, but hopefully we'll get to another level.”

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“When we're on tour, probably we don't go 24 hours without someone asking us where we came up with the name They Might Be Giants. Which, on one level, seems like a completely legitimate question. If I think of other bands, like The Beatles, it would explain to me that John Lennon had a proclivity for slightly cheap puns. But I'm not sure how much insight that would give me into what's actually good about The Beatles' music.”

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“We're affable guys in They Might Be Giants. We're not gonna do the periscope-down thing, but it's a little bit mind-bending. The biggest struggle is trying to figure out a way to back up far enough in your answer that it can be read without the context of the question. Every declarative statement you see that comes out of an interview with somebody is actually in response to a question. So it's sort of like this very real interpersonal dance where one of the people involved is invisible.”

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“Actually, on a slightly more serious but kind of parallel level, I remember being on Loveline before both hosts ascended into loftier places in the culture. But I remember being shocked by Dr. Drew. He went into this extended monologue about how anyone with a baby voice is probably the victim of child abuse or has some daddy issue. As an intellectually curious person, all I could think is that there isn't any clinical evidence about that. But to be the guy wearing the doctor's hat on the radio and teaching everybody about this? It just seemed like a parody of good advice.”

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“It's always interesting to me when one platform of media crosses into another. We've been on the Terry Gross show Fresh Air a couple of times, and I suddenly felt like we could actually represent ourselves as exactly who we are, in this sort of ultra-vivid way. But the weird thing to me is that the questions she asks are in some ways no different than the questions the guy from the high-school paper asks. She might even ask us where we got our name. But something about it, it's like the pH balance of the trajectory of the questions. Maybe it's just her voice.”

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“This happened years and years ago, right as our videos were first being played on MTV. The interviewer said, "You guys are getting famous now. Are you going to be riding around in limousines, doing drugs, and sleeping with beautiful women?" And I was a precocious young man, and my snappy comeback to that cheerful question was, "We're willing to sleep with beautiful women." But no part of the question was in the article.”

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“Between me and my wife, there's this joke where I'll be doing some fun interview, and I'll get off the phone and be like, "That guy was an idiot." A lot of times, interviews are like being asked a list of questions. Invariably, there will be this part where they think you're a writer for Letterman: "Just off the top of your head, tell me the 10 most influential bands on you." And you're actually asked to come up with a spontaneous list. It's like, "Dude, I'm not living in High Fidelity."”

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“Any time having international interviews is a language barrier, you don't know how much you need to simplify what you're saying for it not to be damaged in translation. But culturally, there are some interesting phenomena. I get the feeling that the way rock music gets described in Germany, it is all like Rolling Stone circa 1975, taken to the 10th power. If you're a rock musician, you're part of the counterculture. Your music is like a critique of everything that is wrong with America.”

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“In Germany there's something about rock music much more political than it really is - like everything you were doing was an indictment of the American culture. I read an interview with one of the members of Sebadoh. He was saying he had just got back from touring Germany for the first time in five years or whatever, and one of the interviewers asked him, "Why aren't you still relevant?"”

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