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Leslie Jamison

Leslie Jamison Books

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The Gin Closet

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“This is how we light the stars, again and again: by showing up with our ordinary, difficult bodies, when other ordinary, difficult bodies might need us. Which is the point - the again-and-again of it. You never get to live the wisdom just once, rise to the occasion of otherness just once. You have to keep living this willingness to look at other lives with grace, even when your own feels like shit, and you would do anything to crawl inside a different one.”

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Book:Make It Scream, Make It Burn
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“Empathy isn't just remembering to say *that must really be hard*---it's figuring out how to bring difficulty into the light so it can be seen at all. Empathy isn't just listening, it's asking the questions whose answers need to be listened to. Empathy requires inquiry as much as imagination. Empathy requires knowing you know nothing. Empathy means acknowledging a horizon of context that extends perpetually beyond what you can see.”

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Book:The Empathy Exams
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“Empathy isn't just something that happens to us - a meteor shower of synapses firing across the brain - it's also a choice we make: to pay attention, to extend ourselves. It's made of exertion, that dowdier cousin of impulse. Sometimes we care for another because we know we should, or because it's asked for, but this doesn't make our caring hollow. This confession of effort chafes against the notion that empathy should always rise unbidden, that genuine means the same thing as unwilled, that intentionality is the enemy of love. But I believe in intention and I believe in work. I believe in waking up in the middle of the night and packing our bags and leaving our worst selves for our better ones.”

Empathy
Book:The Empathy Exams
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“It’s easier, somehow, if there’s a reason for tragedy---lust or jealousy or hatred or revenge. We can find in these explanations an emotional tenor commensurate with the gravity of the act. There’s something we recognize as human, a motive toward which we can direct our rage but can also understand, at some primal level, as an extension of ourselves.”

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Book:The Empathy Exams
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“When my parents first separated, my father had moved into a dark apartment in a corporate-looking building facing a grove of eucalyptus trees. I remember he got an ice-cream maker so we could make ice cream together. I remember the ice cream tasted like ice crystals. I remember finding a photograph of a beautiful woman with a blurry face on his dresser. I remember thinking the whole place felt incredibly lonely. I remember feeling sorry for him. Months later, when he told me he was getting married, to a woman I hadn't yet met, I thought of the woman in the photograph and realised that his loneliness had lied to me. It wasn't his but mine, my own loneliness reflected in the cage of his new life, a space in which I felt I had no place.”

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Book:Make It Scream, Make It Burn
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“Metaphors are tiny saviors leading the way out of sentimentality, small disciples of Pound, urging "Say it new! Say it new!" It's hard for emotion to feel flat if its language is suitably novel, to feel excessive if its rendering is suitably opaque. Metaphors translate emotion into surprising and sublime language, but they also help us deflect and diffuse the glare of revelation.”

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Book:The Empathy Exams
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“We don't want to be wounds ("No, you're the wound!") but we should be allowed to have them, to speak about having them, to be something more than just another girl who has one. We should be able to do these things without failing the feminism of our mothers, and we should be able to represent women who hurt without walking backward into a voyeuristic rehashing of the old cultural models.”

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Book:The Empathy Exams: Essays
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