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Louise Penny

Louise Penny Books

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Bury Your Dead

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Still Life

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A Fatal Grace

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The Black Wolf

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A Better Man

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Glass Houses

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The Grey Wolf

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Related Quotes

“She [Haniya Daoud] seemed tired, but also calm. 'It's good to be reminded now and then that such things exist.' 'What things?' 'Beauty. Peace.' She held his eyes. 'Goodness. But they're fragile and can so easily disappear, unless people are willing to do what's necessary to defend them.' 'I'm not sure that goodness is all that fragile,' said Gamache. ...'If not fragile, it's mercurial,' said Haniya. 'Good. Evil. Cruelty and kindness. Guilt and innocence. An act cam be all those things at once, depending on your perspective. It's so easy to delude ourselves, wouldn't you say, Chief Inspector?' 'Into believing killing one person to save millions is an act of moral courage?' 'I don't think that's a delusion.' 'And if you kill the wrong person?”

CourageVigilanceVirtues
Book:The Madness of Crowds
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“Maps gave them control over their surroundings, for the first time ever. It showed how to get from one place to another. It sounds simple now, but a thousand years ago it would have been an incredible feat of imagination and imagery. All maps are drawn as though looking down. From a bird's point of view. From their god's point of view. Imagine being the first person to think of that. To be able to wrap their minds around a perspective they'd never seen. And then draw it.”

ImaginationCreativityMaps
Book:A Great Reckoning
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“I saw a lot of men die there. Most men. Do you know what killed them?”…”Despair,” said Finney. “They believed themselves to be prisoners. I lived with those men, ate the same maggot-infested food, slept in the same beds, did the same back-breaking work. But they died and I lived. Do you know why?” “You were free.” “I was free. Milton was right…the mind is its own place. I was never a prisoner. Not then, not now.”

DeathDespairBeing FreeMiltonPrisonersMind Is FreeMind Is Its Own PlaceWhat Kills Us
Book:A Rule Against Murder
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“They didn’t need proof. All a woman had to be was alive. Just being a woman was, in the church’s eyes, evil.” “But there must’ve been a reason,” said Gabri. “Is there a reason gay, lesbian, and transgender people are attacked?” asked Ruth. “Is there a reason Black men are shot? Is there a reason women are raped, abused, refused abortions, groomed and sold as sex slaves?” “Murdered,” said Myrna, looking at the bouquet of white roses on the kitchen island.”

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Book:A World of Curiosities
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“Eventually he'd let the answering machine take over and had hidden in his studio. Where he's hidden all his life. From the monster. He could feel itin their bedroom now. He could feel its tail swishing by him. Feel its hot, fetid breath. All his life he knew if he was quiet enough, small enough, it wouldnn't see him. If he didn't make a fuss, didn't speak up, it wouldn't hear him, wouldn't hurt him. If he was beyond criticism and hid his cruelty with a smile and good deeds, it wouldn't devour him. By now he realized there was no hiding. It would always be there, and always find him. He was the monster.”

Fear
Author:Louise Penny
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“Homes, Gamache knew, were a self portrait. A person's choice of color, furnishing, pictures, every touch revealed the individual. God, or the devil, was in the details. And so was the human. Was it dirty, messy, obsessively clean? Were the decorations chosen to impress, or were they a hodgepodge of personal history? Was the space cluttered or clear? He felt a thrill every time he entered a home during an investigation.”

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Book:Still Life
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“I don't understand,' Gamache said finally, bringing his eyes back to Myrna. 'Can you explain?' Myrna nodded. 'Pity and compassion are the easiest to understand. Compassion involves empathy. You see the stricken person as an equal. Pity doesn't. If you pity someone you feel superior.' 'But it's hard to tell one from the other,' Gamache nodded. 'Exactly. Even for the person feeling it. Almost everyone would claim to be full of compassion. It's one of the noble emotions. But really, it's pity they feel.' 'So pity is the near enemy of compassion,' said Gamache slowly, mulling it over. 'That's right. It looks like compassion, acts like compassion, but is actually the opposite of it. And as long as pity's in place there's not room for compassion. It destroys, squeezes out, the nobler emotion.' 'Because we fool ourselves into believing we're feeling one, when we're actually feeling the other.' 'Fool ourselves, and fool others,' said Myrna. 'And love and attachment?' asked Gamache. 'Mothers and children are classic examples. Some mothers see their job as preparing their kids to live in the big old world. To be independent, to marry and have children of their own. To live wherever they choose and do what makes them happy. That's love. Others, and we all see them, cling to their children. Move to the same city, the same neighborhood. Live through them. Stifle them. Manipulate, use guilt-trips, cripple them.' 'Cripple them? How?' 'By not teaching them to be independent.' 'But it's not just mothers and children,' said Gamache. 'No. It's friendships, marriages. Any intimate relationship. Love wants the best for others. Attachment takes hostages.' Gamache nodded. He'd seen his share of those. Hostages weren't allowed to escape, and when they tried tragedy followed.”

LoveCompassionPityAttachmentNear Enemies
Book:The Cruelest Month
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“Jean-Guy Beauvoir hadn't much seen the use of libraries, though he'd never have said that to Annie or her parents, who saw les biblioteques as sacred places. He hadn't grown up going to one, and now, with the internet and easy access to information, he couldn't imagine why libraries still existed. That is, until he'd gone with Annie and Honore to a children's hour at their local library. He'd seen the wonder in his son's eyes as the librarian read to them. He'd seen Honore's excitement at getting to choose books himself to take out. How he clutched them to his chest, as though he could read with his heart. Through his infant son, Jean-Guy discovered that libraries held treasures. Not just the written word, but things that couldn't be seen.”

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Book:The Madness of Crowds
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“Gamache could almost see the inevitable horsemen on the hill, above Hazel, snorting and pounding the ground, straining to be released. They brought the end of everything Hazel knew, all that was familiar and predictable. This contained woman was courageously holding off the marauding army of grief, but soon it would break free and sweep down and over her, and nothing familiar would be left standing.”

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Book:The Cruelest Month
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“Peter kept filling his wine glass, and Clara prattled on about getting the garden ready. That was the beauty of friends, she knew. Nothing was expected of Monsieur Béliveau, and he knew it. Sometimes it's just nice not to be alone.... On the veranda Clara and Peter had hugged him but offered no easy words of comfort. To do that would be to simply comfort themselves. What Monsieur Béliveau needed was to feel bad. And then he'd feel better.”

FriendshipGrief
Book:The Cruelest Month
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“She closed her eyes and felt him inside her skin. Where he was vibrant and smart and irreverent and loving. She saw his smile, heard his laugh. Felt his hands. Felt his body. Now he was gone. But he hadn't left. And she sometimes wondered if that was him, beating on her heart. And she wondered what would happen if he stopped. Every night she came here. Parked. And stared at the window. Hoping to see some sign of life.”

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Book:How the Light Gets In
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“When Olivier had been taken away Gamache had sat back down and stared at the sack. what could be worse than Chaos, Despair, War? What would even the Mountain flee from? Gamache had given it a lot of thought. What haunted people even, perhaps especially, on their deathbed? What chased them, tortured them and brought some of them to their knees? And Gamache thought he had the answer. Regret. Regret for things said, for things done, and not done. Regret for the people they might have been. And failed to be. Finally, when he was alone, the Chief Inspector had opened the sack and looking inside had realize he'd been wrong. The worst thing of all wasn't regret.”

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Book:The Brutal Telling
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“Beauvoir left their home wanting to call his wife and tell her how much he loved her, and then tell her what he believed in, and his fears and hopes and disappointments. To talk about something real and meaningful. He dialed his cell phone and got her. But the words got caught somewhere south of his throat. Instead he told her the weather had cleared, and she told him about the movie she'd rented. Then they both hung up.”

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Book:Still Life
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“Normally death came at night, taking a person in their sleep, stopping their heart or tickling them awake, leading them to the bathroom with a splitting headache before pouncing and flooding their brain with blood. It waits in alleys and metro stops. After the sun goes down plugs are pulled by white-clad guardians and death is invited into an antiseptic room. But in the country death comes, uninvited, during the day. It takes fishermen in their longboats. It grabs children by the ankles as they swim. In winter it calls them down a slope too steep for their budding skills, and crosses their skies at the tips. It waits along the shore where snow met ice not long ago but now, unseen by sparkling eyes, a little water touches the shore, and the skater makes a circle slightly larger than intended. Death stands in the woods with a bow and arrow at dawn and dusk. And it tugs cars off the road in broad daylight, the tires spinning furiously on ice or snow, or bright autumn leaves.”

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Book:Still Life
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“Wait, Armand, he heard behind him but kept walking, ignoring the calls. Then he remembered what Emile had meant to him and still did. Did this one bad thing wipe everything else out? That was the danger. Not that betrayals happened, not that cruel things happened, but that they could outweigh all the good. That we could forget the good and only remember the bad. But not today. Gamache stopped.”

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Book:Bury Your Dead
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“Gamache knew people were like homes. Some were cheerful and bright, some gloomy. Some could look good on the outside but feel wretched on the interior. And some of the least attractive homes, from the outside, were kindly and warm inside. He also knew the first few rooms were for public consumption. It was only in going deeper that he'd find the reality. And finally, inevitably, there was the last room, the one we keep locked, and bolted and barred, even from ourselves. Especially from ourselves.”

RoomsHomes
Book:The Cruelest Month
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“I see." Gamache lowered his voice, though all could still hear the words. "When I was Chief Superintendent, I had a framed poster in my office. On it were the last words of a favorite poet, Seamus Heaney. Noli timere. It's Latin. Do you know what it means?" He looked around the room. "Neither did I," he admitted when no one spoke. "I had to look it up. It means 'Be Not Afraid.' His eyes returned to the unhappy young agent. "In this job you'll have to do things that scare you. You might be afraid, but you must be brave. When I ask you to do something, you must trust there's a good reason. And I need to trust that you will do it. D'accord?”

GamacheNoli Timere
Book:A Better Man
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