“I do think that this represents a kind of shift towards myth, a recovery of myth, largely through the popularity of writers like Philip Pullman. Somehow myths have returned as a serious subject. It used to be scorned...really scorned. It was part of a nursery tradition, and it was also rather tainted - but not in an immovable way - by the association with right-wing ideologies after the World Wars.” ThinkingWorldWayKindWarUsedSubjectsSeriousTraditionWingsMythRecoveryUsed To BeIdeologyWar Of The WorldsAssociationPopularityRight WingNurseryPhilipTaintedScornedSerious Subjects Author:Marina Warner
“There's a whole slew of wonderful speculation of flying in a fanciful way. Gulliver is one of the central examples; Swift has the hum of Arabian Nights in his ear with Gulliver's Travels. The difference is in scale - Gulliver as a kind of Sinbad kind of figure, the way he is picked up and carried. Just to finish up with Scheherazade, I do think that The Arabian Nights could be considered as a great book on women's position in the world.” ThinkingWorldWayKindBookWholeNightDifferencesWonderfulFiguresExamplePositionEarsFlyingScalesSpeculationGreat BookArabianGulliverArabian NightsGulliver's Travels Author:Marina Warner
“I see the carpet reflecting that narratological structure of the storytelling, with Scheherazade as the outside frame story on the outside, with the stories woven on the inside. It's also demonstrative of the infinity of it, with no beginning and no end. The carpet is also a kind of metonym for cinema, this idea that the flat surface carries a terrific depth of imaginative field while remaining totally flat.” KindIdeasEndsStoriesFieldsStructureDepthSurfaceStorytellingCinemaCarrieFlatsInfinityImaginativeCarpetTerrificReflectingWoven Author:Marina Warner
“One of the things I try to do is try to make repetitions, rhymes, and mirrorings across the subject matter of my own books so that the chapter titles and the epigraphs and pictures all kind of form a tapestry. In this book, I retell fifteen of the stories. You have the critical frame, and then you have these rosettes like the motif in a carpet.” TryingKindBookMatterStoriesFormMy OwnSubjectsCriticalAll KindsTitlesChaptersFifteenRhymeRepetitionCarpetSubject MatterTapestryMirroringMotifsEpigraphs Author:Marina Warner
“Meanings of all kinds flow through the figures of women, and they often do not include who she herself is.” KindFiguresFlowAll Kinds Book:Monuments & Maidens: The Allegory of the Female Form Source: Monuments & Maidens: The Allegory of the Female Form
