“When I was in Wuhan, I went to the art school, which was one of the most important art schools in China, an enormous art school. One of the things that I saw is that the schools are very big and there are so many students. It is very difficult to me to teach creative activity to great numbers of people, because I think you need personal contact with students, you need to speak individually, you need individual contact between teachers and students, you need continuity. To me this is a problem in mass education in every society now.” PeopleThinkingNeedsArtImportantProblemBigsSchoolIndividualSpeakDifficultNumbersTeachCreativeSawsTeacherStudentsActivityMassChinaEnormousContactContinuityArt SchoolTeacher And Student Author:Michael Craig-Martin
“When I told people that I was going to paint the big room magenta, many people thought that I was crazy.” PeopleBigsRoomsCrazyPaintOld PeopleMagenta Author:Michael Craig-Martin
“The first exhibition that I used bright colours in painting the room was at a gallery in Paris, and there were seven rooms in the gallery. It was very nice gallery, not very big rooms, around the courtyard, it was a very French space. So I painted each room in different colour. When people came to the exhibition, I saw they came with a smile. Everybody smiles - this is something I never saw in my work before.” PeopleFirstsDifferentBigsUsedSpaceRoomsSawsNicePaintingSevenParisColourGalleryVery NiceExhibitionsDifferent Colours Author:Michael Craig-Martin
“If things are too similar, the dialogue is not very interesting. If you put in contrast, big and small, abstract and representational, you set up the possibility of a discourse.” IfsBigsInterestingPossibilityDialogueAbstractContrastDiscourseVery Interesting Author:Michael Craig-Martin
