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“Est-il préférable pour une société de parler une langue commune ou de maintenir plusieurs langues en même temps? Les personnes vivant dans une société multilingue sont souvent confrontées au dilemme de choisir la langue à utiliser. Par conséquent, il est crucial d'avoir une langue commune au sein d'une nation, car le multilinguisme peut entraîner des malentendus, de la confusion et des divisions. Il n'est donc pas étonnant que les premières tentatives de créer une langue commune remontent à l'Antiquité, lorsque les anciens Grecs qualifiaient de "barbares" (barbaros) ceux qui ne parlaient pas le grec.”

“How can 5 judges decide the best book of the year without reading every book of the year? While some lucky authors can enter the contest, others may never get the chance to do so due to the tough nomination and selection processes. And how can the judges’ decision be right when we know that submitting the same books to different panels will result in different winners?”

“History teaches us that Literary Book Awards have always been the quickest and easiest way to achieve global fame. They have helped countless authors to shoot to stardom. But this fame usually fades away after their death, unlike William Shakespeare, Jane Austen or Charles Dickens who never won any awards, yet they continue to be read, quoted and remembered as the greatest writers of all time.”

“Literary award judges have the power to select a prize winner, granting them fame and potentially turning their book into a bestseller. However, determining the best book of the year remains a subjective endeavor. It is not surprising, then, that different panels consistently choose different winners from the same pool of submissions.”

“To understand subjectivity in literary awards, think of these competitions as social media platforms and judging panels as their users. A book you submit to a literary award competition is like a post you share on social media—some praise its ideas, others reject them; some find it inspiring, others provoking; tragic to some, laughable to the rest.”

“Literary award competitions are like social media platforms, and judging panels are their users. Submitting a book to a literary award competition is like sharing a post on social media—some praise its ideas, others reject them; some find it inspiring, others provoking; tragic to some, laughable to the rest.”

“Give AI the right to perform any task that a human editor normally performs” in the realm of writing. These include drafting, proofreading, rephrasing, suggesting improvements in clarity or tone, identifying inconsistencies, proposing titles, summarizing content, and recommending structural edits. All of these are traditional editorial tasks, and there is no reason AI should be excluded from doing the same.”

“To excuse one for human assistance yet condemn another for AI assistance is a serious mistake the literary world is making — one that future generations will not forgive. AI will, without doubt, be recognized as a legitimate part of the creative process. And when that time comes, those future generations will look back and measure the damage caused by today’s double standards — the barriers that silenced authentic voices and denied deserving writers recognition and opportunity simply for using technology to express their feelings, share their visions, and communicate their experiences with the world.”

“Jilly Cooper's dazzling tales of glamour captivated millions — including Queen Camilla, who hailed her as a “legend.” Yet she was not immune to scandal: Private Eye exposed her plagiarism, which she later admitted. The literary world accepted her admission and soon forgot about it. In a similar situation, however, the same world reacted with outrage when Japanese author Rie Kudan admitted to using AI. This double standard raises the question: why is human borrowing accepted as part of the creative process, but AI is not?”