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Pulitzer Prize Quotes

Browse 10 quotes about Pulitzer Prize.

Pulitzer Prize Quotes

“A stroke. Robert has never been kind to his body . . . It is only the carrier of that wonderful mind, after all. A case for the crown. And Robert has cared for that mind like a tiger with her young: he has given up drinking and drugs, kept a strict schedule of sleep. He is good, he is careful. And to steal that--to steal his mind--burglar Life!Like cutting a Rembrandt from its frame.”

“*Poem: Washington D.C. (The District)* I love it In this square of columns and obelisks… and monuments designed to align with constellations: To symbolize our protection. Serius. Virgo. Sun. Washington, Here where Virginia and Maryland meet, and greet. Streets and corner-stones laid In the glorious shapes of Pentagrams and Christian crosses And cubes and pyramids, And the Blazing Star set on a ley line, And the temple in the eye. Homes, made of red-brick, and granite Stones. Laus Deo! Answers May be somewhere Off the shores Of the Potomac; Where my father Once baptized me, And the waters Of the district Touched my skin. And the consciousness of America Was rebirthed in me.”

“Q: Who are your influences? I was lucky as a kid to get to meet Paul Conrad who lived in my hometown. He is a giant in editorial cartooning, winner of three Pulitzers and even more impressively he won a place on Nixon‘s enemies list. He was a huge influence. Starting out I also spent a lot of time looking at Ron Cobb, an insane crosshatcher who drew for the alternative press in the ’60’s, as well as David Levine, Ed Sorel, and R. Crumb. I also love Steinberg‘s visual elegance and innately whimsical voice. Red Grooms is another guy who took cartooning wonderful places. There are also a number of 19th-century cartoonists whose mad drawing skills and ability to create rich visual worlds always impressed me. A.B. Frost, T.S. Sullivant, Joseph Keppler are often overshadowed by Nast, but in many ways they were more adventurous graphically. I also want to throw in here how great it is to work in D.C. There’s a great circle of cartoonists here and being in their orbit is a daily inspiration. Opening the Post to Toles and Richard Thompson (Richard’s Poor Almanac is the best and most original cartoon in the country and sadly known mostly only to those lucky enough to be in range of the Post;, Cul de Sac is pretty good too). And then there’s Ann Telnaes’ animations that appear in the Post online—-truly inspired and the wave of the future, as well as Beeler, Galifianakis, Bill Brown, and others. It raises one’s game to be around all these folks. (2010 interview with Washington City Paper)”

“To understand subjectivity in literary awards, think of these competitions as social media platforms and judging panels as their users. A book you submit to a literary award competition is like a post you share on social media—some praise its ideas, others reject them; some find it inspiring, others provoking; tragic to some, laughable to the rest.”

“Literary award competitions are like social media platforms, and judging panels are their users. Submitting a book to a literary award competition is like sharing a post on social media—some praise its ideas, others reject them; some find it inspiring, others provoking; tragic to some, laughable to the rest.”