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Neal Shusterman

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“I turn to our father, searching for an ally. "So Dad, is it legal for Bronte to date out of her species?" Dad looks up from his various layers of pepperoni and breadless cheese. "Date?" he says. Apparently the idea of Bronte dating is like an electromagnet sucking away all other words in the sentence, so that's the only word he hears. "You're not funny," Bronte says to me. "No, I'm serious," I tell her. "Isn't he like... a Sasquatch or something?" "Date?" says Dad.”

“No one wants to learn an instrument, Rachel. It's grueling repetition. And besides, you're too old to start. Concert violinists who learn the traditional way begin when they're six or seven." Risa can't help but listen to the irritating conversation taking place between the well-dressed woman and her fashionably disheveled teenage daughter. "It's bad enough they'd be messing in my brain and giving me a NeuroWeave," the girl whines. "But why do I have to have the hands, too? I like my hands!" The mother laughs. "Honey, you've got your father's stubby, chubby little fingers. Trading up will only do you good in life, and it's common knowledge that a musical NeuroWeave requires muscle memory to complete the brain-body connection." "There are no muscles in the fingers!" the girl announces triumphantly. "I learned that in school." The mother gives her a long-suffering sigh. "Think of them like a pair of gloves, Rachel. Fancy silk gloves, like a princess wears." Risa can't stand it anymore. Making sure she's low enough so that her face can't be seen, she gets up, and as she walks past them, she says, "You'll have someone else's fingerprints.”

“I'm a savant when it comes to character judgment," he tells her. "For instance, most people wouldn't see anything in you besides attitude and a need for stronger deodorant, but I think you can handle the storks almost as well as Connor handled the Graveyard." Bam gives him a halfhearted glare. "Can you ever give a compliment without also making it an insult?" "No," he admits. "Not possible. It's the essence of my charm.”

“The Fatigues all talk like that. Big-Picture-speak, Risa calls it. Seeing the whole, and none of the parts. It's not just in their speech but in their eyes as well. When they look at Risa, she can tell they don't really see her. They seem to see the mob of Unwinds more as a concept rather than a collection of anxious kids, and so they miss all the subtle social tremors that shake things just as powerfully as the jets shake the roof.”

Book:Unwind

“A human being is part of a whole, called by us the Universe, a part limited in time and space. He experiences himself, his thoughts and feelings, as something separated from the rest - a kind of optical delusion of his consciousness. This delusion is a kind of prison for us. Our task must be to free ourselves from this prison by widening our circles of compassion to embrace all living creatures and the whole of nature in its beauty.”

“Goddard clapped his hands together, truly tickled. "I have so missed these conversations with you!" "You mean the ones where you gloat, and I'm tied up?" "You see? The way you get to the heart of the matter is always so refreshing. So entertaining. I'd keep you as a house pet, if I didn't fear you'd somehow escape and burn me to a crisp in my sleep." "I would, and I would," Rowan told him. "I have no doubt.”

“The human brain is not infallible. Memories and experiences can fall into discord, creating a cognitive dissonance that damages the mind with its painful sibilance. Most people can't even imagine that kind of emotional anguish. It leads to anger, and the kind of criminal activity that otherwise has been conquered by modern humanity. To those who suffer from it, there aren't enough psychotropic nanites in the world to quell their misery.”

“The brittle pages were filled with melodramatic intrigue and passionate short-sightedness that seemed laughable now. People who believed that their slightest actions mattered and that they could find a sense of completion before death inevitably took them, along with everyone they ever knew and loved. It was entertaining reading, but hard for Munira to relate to at first...but the more she read, the more she came to understand the fears and the dreams of mortals. The trouble they all had living in the moment, in spite of the fact that the moment was all they had.”

“I wrote Unwind for lots of reasons, and it poses questions about a lot of subjects. To state it briefly, I wanted to point out how when people take intractable positions on an issue, and stick to extreme sides, sometimes the result is a compromise that is worse than either extreme. I meant it as a wake up call to society -- and to point out that sometimes the problem IS that we take sides on an issue, when a different sort of approach is needed. It's also to pose questions about what it means to be alive. Where does life begin, where does it end -- and point out that there is no single answer to these questions. The problem is people who think there are simple answers. People who see things as simple black-and-white right-and-wrong are the type of people who will end up with a world like the world in Unwind.”