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Neal Shusterman

Neal Shusterman Books

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Unwind

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UnWholly

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Scythe

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Challenger Deep

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Thunderhead

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UnSouled

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Bruiser

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Downsiders

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The Toll

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UnDivided

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Full Tilt

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Antsy Does Time

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Dread locks

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Everfound

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Everwild

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Dread Locks #1

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Dry

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Everlost

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Edison's Alley

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UnStrung

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Related Quotes

“Life is like a bad haircut. At first it looks awful, then you kind of get used to it, and before you know it, it it grows out and you gotta get another haircut that maybe won't be so bad, unless of course you keep going to SuperClips, where the hairstylists are so terrible they oughta be using safety scissors, and when they're done you look like your head got caught in a ceiling fan. So life goes on, good haircut, bad haircut, until finally you go bald, and it don't matter no more. I told this wisdom to my mother, and she said I oughta put it in a book, then burn it. Some people just can't appreciate the profound.”

“We are, however, creatures of containment. We want all things in life packed into boxes that we can label. But just because we have the ability to label it, doesn't mean we really know what's in the box. It's kind of religion. It gives us comfort to believe we have defined something that is, by its very nature, indefinable. As to whether or not we've gotten it right, well, it's all a matter of faith.”

“You see, Risa, survival is a dance between our needs and our consciences. When the need is great enough, and the music loud enough, we can stomp conscience into the ground.' Risa closes her eyes. She knows the dance... 'It's the way of the world,' Divan continues. 'Look at unwinding, society's grand gavotte of denial. There will, no doubt, come a time when people look to one another and say, 'My God, what have we done?' But I don't believe it will happen any time soon. Until then, the dance must have music; the chorus must have its voice. Give it that voice, Risa. Play for me.' But Risa's fingers offer him nothing, and the Orgao Organico holds the obdurate, unyielding silence of the grave.”

“So you don't build a ramp. You don't visit her in her jet, and when you do have a physical contact, it's out in the open where it's safe. And when she rolls away from you in tears, you let her go, thinking whatever she wants to think, because that's better than admitting to her that you're too weak to feel safe with your own arm. Then, alone in the dark of a private jet, you smash your fist furiously against the wall until your knuckles are raw and bloody, but you don't care, because even though you can feel the pain, you know they're not your knuckles after all.”

“So the gods must mean something else,” said Jix. “God, not gods!” insisted Johnnie. Nick threw up his hands. “God, gods, or whatever,” said Nick. “Right now, it doesn’t matter whether it’s Jesus, or Kukulcan, or a dancing bear at the end of the tunnel. What matters is that we have a clue, and we have to figure it out.” “Why?” Johnnie asked again. “Why does God – excuse me, I mean ‘the Light of Universal Whatever’- why does it just give us a freakin’ impossible clue? Why can’t it just tell us what we’re supposed to do?” “Because,” said Mikey. “the Dancing Bear wants us to suffer.”

“Don't you recognize me, Mary? It's your good friend Allie the Outcast - although it looks like you're the one who's the out-cast now." Then Allie realized something with far too much glee. "Now that you're here - alive and all - there's something I've wanted to do for a very long time." Then Allie reached back, curled her fleshie's right hand into a fist, and swung it toward Mary with all her might. This was one strong fleshie! The punch connected with Mary's eye so hard, that Mary's entire body spun around, and she collapsed into a leopard chair. Allie's knuckles hurt, but it was a good kind of pain. "My eye!" wailed Mary. "Oh! My eye.”

“I always hear people talk about 'dysfunctional families.' It annoys me, because it makes you think that somewhere there's this magical family where everyone gets along, and no one ever screams things they don't mean, and there's never a time when sharp objects should be hidden. Well, I'm sorry, but that family doesn't exist. And if you find some neighbors that seem to be the grinning model of 'function,' trust me - that's the family that will get arrested for smuggling arms in their SUV between soccer games. The best you can really hope for is a family where everyone's problems, big and small, work together. Kind of like an orchestra where every instrument is out of tune, in exactly the same way, so you don't really notice.”

“...Our conversation with the supermarket manager had been about as helpful as a New Jersey road sign, and if you've ever been there, you know the signs don't tell you the exit you're coming up to, they only point out the exits you've just missed. It puts parents in very foul moods--and since you're probably there to visit relatives, their mood was pretty touch and go to begin with.”

“Enfant, on idéalise ses parents. On pense qu’ils sont parfaits car ils sont notre seul repère, le mètre avec lequel on mesure le monde et nous-mêmes. Adolescent, on ne les supporte plus, parce qu’on se rend soudain compte que non seulement ils ne sont pas parfaits, mais qu’ils sont peut-être encore plus à la ramasse que nous. Et puis, il y a cet instant où on prend conscience que ce ne sont ni des superhéros ni des méchants. Ce sont ni plus ni moins des humains. La question qui se pose alors, c’est de savoir si on peut leur pardonner de n’être, en fin de compte, rien de plus que des hommes. — Kelton”

Book:Dry