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Paula Fox

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“Ned was at once reminded of the past, the time before his mother had become ill. He imagined the three of them dancing down the living room holding hands, or skipping stones down by the Hudson River on a little muddy strip of shore where cattails grew and large damp toads hid behind rocks and the days were always sunny. He knew it couldn't have been like that; he knew it must have rained and stormed, that they hadn't spent all their time dancing and skipping stones and laughing together, yet it felt as though they had. It was the time he'd been happy and hadn't known it. When he was happy now, he would remind himself he was. He would say, At this moment I'm happy, and that was different from simply being a certain way and not having to give it a name.”

“Labels not only free us from the obligation to think creatively; they numb our sensibilities, our power to feel. During the Vietnam War, the phrase body count entered our vocabulary. It is an ambiguous phrase, inorganic, even faintly sporty. It distanced us from the painful reality of corpses, of dead, mutilated people.”

“And what movies we saw! All the actors and actresses whose photographs I collected, with their look of eternity! Their radiance, their eyes, their faces, their voices, the suavity of their movements! Their clothes! Even in prison movies, the stars shone in their prison clothes as if tailors had accompanied them in their downfall.”

“A year and a half after the end of the war and the German occupation, Paris was muted and looked bruised and forlorn. Everywhere I went, I sensed the tracks of the wolf that had tried to devour the city. But Paris proved inedible, as it had been ever since its tribal beginnings on an island in the Seine, the Ile de la Cité.”