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Famous Søren Kierkegaard Quotes

“When I was very young and in the cave of Trophonius I forgot to laugh. Then, when I got older, when I opened my eyes and saw the real world, I began to laugh and I haven’t stopped since. I saw that the meaning of life was to get a livelihood, that the goal of life was to be a High Court judge, that the bright joy of love was to marry a well-off girl, that the blessing of friendship was to help each other out of a financial tight spot, that wisdom was what the majority said it was, that passion was to give a speech, that courage was to risk being fined 10 rix-dollars, that cordiality was to say ‘You’re welcome’ after a meal, and that the fear of God was to go to communion once a year. That’s what I saw. And I laughed.”

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Book:Either/Or: A Fragment of Life
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“A passionate tumultuous age will overthrow everything, pull everything down; but a revolutionary age, that is at the same time reflective and passionless, transforms that expression of strength into a feat of dialectics: it leaves everything standing but cunningly empties it of significance. Instead of culminating in a rebellion it reduces the inward reality of all relationships to a reflective tension which leaves everything standing but makes the whole of life ambiguous: so that everything continues to exist factually whilst by a dialectical deceit, privatissime, it supplies a secret interpretation- that it does not exist.”

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Book:The Present Age
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“It is the thought, not the incidentals of expression, that essentially makes an exposition unpopular. A systematic ribbon and button maker can become unpopular but essentially is not at all, inasmuch as he does not mean much by the very odd things he says (alas, and this is a popular art!). Socrates, on the other hand, was the most unpopular in Greece because he said the same thing as the simplest person but meant infinitely much by it. To be able to stick to one thing, to stick to it with ethical passion and undauntedness of spirit, to see the intrinsic duplexity of this one thought with the same impartiality, and at one and the same time to see the most profound earnestness and the greatest jest, the deepest tragedy and highest comedy―this is unpopular in any age for anyone who has not realized that immediacy is over. But neither can what is essentially unpopular be learned by rote. More on that later.”

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Book:Stages on Life's Way
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“But it is just as useless for a man to want first of all to decide the externals and after that the fundamentals as it is for a cosmic body, thinking to form itself, first of all to decide the nature of its surface, to what bodies it should turn its light, to which its dark side, without first letting the harmony of centrifugal and centripetal forces realize [*realisere*] its existence [*Existents*] and letting the rest come of itself. One must learn first to know himself before knowing anything else (γνῶθι σε αυτόν). Not until a man has inwardly understood himself and then sees the course he is to take does his life gain peace and meaning; only then is he free of the irksome, sinister traveling companion―that irony of life which manifests itself in the sphere of knowledge and invites true knowing to begin with a not-knowing (Socrates), just as God created the world from nothing. But in the waters of morality it is especially at home to those who still have not entered the tradewinds of virtue. Here it tumbles a person about in a horrible way, for a time lets him feel happy and content in his resolve to go ahead along the right path, then hurls him into the abyss of despair. Often it lulls a man to sleep with the thought, "After all, things cannot be otherwise," only to awaken him suddenly to a rigorous interrogation. Frequently it seems to let a veil of forgetfulness fall over the past, only to make every single trifle appear in a strong light again. When he struggles along the right path, rejoicing in having overcome temptation's power, there may come at almost the same time, right on the heels of perfect victory, an apparently insignificant external circumstance which pushes him down, like Sisyphus, from the height of the crag. Often when a person has concentrated on something, a minor external circumstance arises which destroys everything. (As in the case of a man who, weary of life, is about to throw himself into the Thames and at the crucial moment is halted by the sting of a mosquito). Frequently a person feels his very best when the illness is the worst, as in tuberculosis. In vain he tries to resist it but he has not sufficient strength, and it is no help to him that he has gone through the same thing many times; the kind of practice acquired in this way does not apply here. Just as no one who has been taught a great deal about swimming is able to keep afloat in a storm, but only the man who is intensely convinced and has experiences that he is actually lighter than water, so a person who lacks this inward point of poise is unable to keep afloat in life's storms.―Only when a man has understood himself in this way is he able to maintain an independent existence and thus avoid surrendering his own I. How often we see (in a period when we extol that Greek historian because he knows how to appropriate an unfamiliar style so delusively like the original author's, instead of censuring him, since the first prize always goes to an author for having his own style―that is, a mode of expression and presentation qualified by his own individuality)―how often we see people who either out of mental-spiritual laziness live on the crumbs that fall from another's table or for more egotistical reasons seek to identify themselves with others, until eventually they believe it all, just like the liar through frequent repetition of his stories.”

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Author:Søren Kierkegaard
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“Whether you are man or woman, rich or poor, dependent or free, happy or unhappy; whether you bore in your elevation the splendour of the crown or in humble obscurity only the toil and heat of the day; whether your name will be remembered for as long as the world lasts, and so will have been remembered as long as it lasted, or you are without a name and run namelessly with the numberless multitude; whether the glory that surrounded you surpassed all human description, or the severest and most ignominious human judgment was passed on you -- eternity asks you and every one of these millions of millions, just one thing: whether you have lived in despair or not, whether so in despair that you did not know that you were in despair, or in such a way that you bore this sickness concealed deep inside you as your gnawing secret, under your heart like the fruit of a sinful love, or in such a way that, a terror to others, you raged in despair. If then, if you have lived in despair, then whatever else you won or lost, for you everything is lost, eternity does not acknowledge you, it never knew you, or, still more dreadful, it knows you as you are known, it manacles you to yourself in despair!”

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Book:The Sickness Unto Death: A Christian Psychological Exposition for Upbuilding and Awakening
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“A man ten times regrets having spoken, for the once he regrets his silence. And why? Because the fact of having spoken is an external fact, which may involve one in annoyances, since it is an actuality. But the fact of having kept silent! Yet this is the most dangerous thing of all. For by keeping silent one is relegated solely to oneself, no actuality comes to a man’s aid by punishing him, by bringing down upon him the consequences of his speech. No, in this respect, to be silent is the easy way. But he who knows what the dreadful is, must for this very reason be most fearful of every fault, of every sin, which takes an inward direction and leaves no outward trace.”

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Book:The Sickness Unto Death: A Christian Psychological Exposition for Upbuilding and Awakening
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“It may happen, however, that he falls into despair just for the fact that he has opened his heart to another; it may be that he thinks it would have been infinitely preferable to maintain silence rather than have anyone privy to his secret. There are examples of introverts who are brought to despair precisely because they have acquired a confidant.”

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Book:The Sickness Unto Death: A Christian Psychological Exposition for Upbuilding and Awakening
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“Just as the weak, despairing person is unwilling to hear anything about any consolation eternity has for him, so a person in such despair does not want to hear anything about it, either, but for a different reason: this very consolation would be his undoing; as a denunciation of all existence. Figuratively speaking, it is as if an error slipped into an author's writing and the error became conscious of itself as an error; perhaps it actually was not a mistake but in a much higher sense an essential part of the whole production, and now this error wants to mutiny against the author, out of hatred toward him, forbidding him to correct it and in maniacal defiance saying to him: No! I refuse to be erased! I will stand as a witness against you; a witness that you are a second-rate author.”

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Book:The Sickness Unto Death: A Christian Psychological Exposition for Upbuilding and Awakening
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“...The discrepancy is that the ethical self should be found immanently in the despair, that the individual won himself by persisting in the despair. True, he has used something within the category of freedom, choosing himself, which seem to remove the difficulty, one that presumably has not struck many, since philosophically doubting everything and then finding the true beginning goes one, two, three. But that does not help. In despairing, I use myself to despair, and therefore I can indeed despair of everything by myself. But if I do this, I cannot come back by myself. It is in this moment of decision that the individual needs divine assistance, whereas it is quite correct that in order to be at this point one must first have understood the existence-relation between the aesthetic and the ethical; that is to say, by being there in passion and inwardness, one surely becomes aware of the religious - and of the leap.”

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Book:Concluding Unscientific Postscript
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“Yet in another and still more definite sense despair is the sickness unto death. It is indeed very far from being true that, literally understood, one dies of this sickness, or that this sickness ends with bodily death. On the contrary, the torment of despair is precisely this, not to be able to die So it has much in common with the situation of the moribund when he lies and struggles with death, and cannot die. So to be sick unto death is, not to be able to die -- yet not as though there were hope of life; no the hopelessness in this case is that even the last hope, death, is not available. When death is the greatest danger, one hopes for life; but when one becomes acquainted with an even more dreadful danger, one hopes for death. So when the danger is so great that death has become one’s hope, despair is the disconsolateness of not being able to die.”

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Author:Søren Kierkegaard
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“Suppose someone wanting to learn to dance said: 'For hundreds of years now one generation after another has been learning dance steps, it's high time I took advantage of this and began straight off with a set of quadrilles.' One would surely laugh a little at him: but in the world of spirit such an attitude is considered utterly plausible. What then is education? I had thought it was the curriculum the individual ran through in order to catch up with himself; and anyone who does not want to go through this curriculum will be little helped by being born into the most enlightened age.”

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Book:Fear and Trembling
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“Can a person, then, do any more than love? Have thought and language any higher expression for loving than always to give thanks? Not at all, it has a lower, a humbler expression. Even the person who is always willing to give thanks nevertheless loves according to his own perfection, and a person can truly love God only when he loves him according to his own imperfection. Which love is this? It is the love that is born of repentance, which is more beautiful than any other love, for in it you love God. It is more faithful and more fervent than all other love, for in repentance it is God who loves you.”

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Book:Eighteen Upbuilding Discourses
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“I cannot shut my eyes and plunge confidently into the absurd; that is for me an impossibility, but I do not praise myself for it. I am convinced that God is love; this thought has for me a primordial lyrical validity. When it is present to me I am unspeakably happy; when it is absent I long for it more intensely than the lover for the object of his love. But I do not believe; this courage I lack.”

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Book:Fear and Trembling
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“He who wants, therefore, to prove God’s existence (in a different sense than simply to illuminate the concept of God, and without the reservatio finalis, that we have pointed out, that existence emerges from the proof by means of a leap), he proves something else instead, something that perhaps does not always need a proof, and in any case never something better, because the fool says in his heart that there is no God; but he who says in his heart, or to others: wait a minute and I will prove it—is he not a rare sage! If it is not, in the moment when he must begin the proof, undecided whether God exists, then he does not prove it; and if it is like this at the beginning, then he will never really be able to begin, partly out of fear that he might not succeed, because God may not exist, and partly because he has nothing with which to begin.— In ancient times one was hardly preoccupied with such things. At least Socrates, who is said to have produced the physico-teleological proof for God’s existence, did not concern himself with such things. He constantly assumed God existed and, operating on this assumption, endeavoured to permeate existence with the idea of purpose. If one had asked him why he conducted himself in this way, then he would surely have explained that he did not have the courage to venture upon such a voyage of discovery without having the security behind him that God existed. On the basis of God’s word he, so to speak, casts the net in order to capture the idea of purpose; because nature finds many subterfuges and ways to frighten in order to disturb the inquirer.”

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Book:Repetition and Philosophical Crumbs
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“In our age there has been much talk about the importance of doubt for science and scholarship, but what doubt is to science, irony is to personal life. Just as scientists maintain that there is not true science without doubt, so it may be maintained with the same right that no genuinely human life is possible without irony.”

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Book:The Concept of Irony: With Continual Reference to Socrates/Notes of Schelling's Berlin Lectures
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“Something wonderful has happened to me. I was carried up into the seventh heaven. There all the gods sat assembled. By special grace I was granted the favor of a wish. "Will you," said Mercury, "have youth, or beauty, or power, or a long life, or the most beautiful maiden, or any of the other glories we have in the chest? Choose, but only one thing." For a moment I was at a loss. Then I addressed myself to the gods as follows: "Most honorable contemporaries, I choose this one thing, that I may always have the laugh on my side." Not one of the gods said a word, on the contrary, they all began to laugh. Hence, I concluded that my request was granted, and found that the gods knew how to express themselves with great taste; for it would hardly have been suitable for them to answer gravely: "It is granted thee".”

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Book:Either/Or: A Fragment of Life
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“Something wonderful has happened to me. I was carried up into the seventh heaven. There all the gods sat assembled. By special grace I was granted the favor of a wish. "Will you," said Mercury, "have youth, or beauty, or power, or a long life, or the most beautiful maiden, or any of the other glories we have in the chest? Choose, but only one thing." For a moment I was at a loss. Then I addressed myself to the gods as follows: "Most honorable contemporaries, I choose this one thing, that I may always have the laugh on my side." Not one of the gods said a word, on the contrary, they all began to laugh. Hence, I concluded that my request was granted, and found that the gods knew how to express themselves with taste; for it would hardly have been suitable for them to have answered gravely: "It is granted thee.”

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Book:Either/Or: A Fragment of Life
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“Love has many positionings. Cordelia makes good progress. She is sitting on my lap, her arm twines, soft and warm, round my neck; she leans upon my breast, light, without gravity; the soft contours scarcely touch me; like a flower her lovely figure twines about me, freely as a ribbon. Her eyes are hidden beneath her lashes, her bosom is dazzling white like snow, so smooth that my eye cannot rest, it would glance off if her bosom were not moving. What does this movement mean? Is it love? Perhaps. It is a presentiment of it, its dream. It still lacks energy. Her embrace is comprehensive, as the cloud enfolding the transfigured one, detached as a breeze, soft as the fondling of a flower; she kisses me unspecifically, as the sky kisses the sea, gently and quietly, as the dew kisses a flower, solemnly as the sea kisses the image of the moon. I would call her passion at this moment a naive passion. When the change has been made and I begin to draw back in earnest, she will call on everything she has to captivate me. She has no other means for this purpose than the erotic itself, except that this will now appear on a quite different scale. It then becomes a weapon in her hand which she wields against me. I then have the reflected passion. She fights for her own sake because she knows I possess the erotic; she fights for her own sake so as to overcome me. She herself is in need of a higher form of the erotic. What I taught her to suspect by arousing her, my coldness now teaches her to understand but in such a way that she thinks it is she herself who discovers it. So she wants to take me by surprise; she wants to believe that she has outstripped me in audacity, and that makes me her prisoner. Her passion then becomes specific, energetic, conclusive, dialectical; her kiss total, her embrace without hesitation.—In me she seeks her freedom and finds it the better the more firmly I encompass her. The engagement bursts. When that has happened she needs a little rest, so that nothing unseemly will emerge from this wild tumult. Her passion then composes itself once more and she is mine.” —from_Either/Or: A Fragment of Life_, (as written by his pseudonym Johannes the Seducer)”

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Author:Søren Kierkegaard
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“I am poor—you are my riches; dark—you are my light; I own nothing, need nothing. And how could I own anything? After all, it is a contradiction that he can own something who does not own himself. I am happy as a child who is neither able to own anything nor allowed to. I own nothing, for I belong only to you; I am not, I have ceased to be, in order to be yours.” —Johannes De Silentio, from_Either/Or_”

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Author:Søren Kierkegaard
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