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“On matters of transgression in the social sphere, Zen's deficiencies cannot be blamed on an indifferent or unresponsive attitude, for in some cases it has been actively pursuing a reprehensible agenda. Perhaps part of the problem is Zen's apparent lack of a sense of good versus evil on a metaphysical level in stressing that all phenomena are interconnected and interpenetrating.”

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“What happens when it comes to light that in Zen there has always been a large and fundamental role for verbal communication and that, indeed, Zen masters have produced a tremendous volume of writings that originally were based on oral teachings (while the claim for the priority of orality has itself been questioned)? Does this point to a basic contradiction or hypocrisy in Zen, or would the prevalence of literary production mean that our understanding of what constitutes Zen transmission in relation to oral and written discourse must be reconfigured?”

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“It is now clear that the kōan about Mahakasyapa's receiving the flower after Sakyamuni's wordless sermon, as well as slogans like "special transmission outside the teaching" and "no reliance on words and letters"—originally separate items that came to be linked in a famous Zen motto attributed to Bodhidharma—were created in the Sung dynasty. First making their appearance in eleventh-century transmissions of the lamp texts, including the Chingte chuan-teng lu (1004) and the T'ien-sheng kuang-teng lu (1036), these rhetorical devices were designed to support the autonomous identity of Zen in an era of competition with neo-Confucianism and are not to be regarded as accurate expressions of the period they are said to represent. A close examination of sources reveals that Tang masters with a reputation for irreverence and blasphemy were often quite conservative in their approach to doctrine by citing (rather than rejecting) Mahayana sutras in support of teachings that were not so distinct from, and were actually very much in accord with, contemporary Buddhist schools.”

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“For TZN, nonsense in Zen is understood in the most positive of terms on a metaphysical level rising above and standing beyond the contrast and conflict between sense and senselessness. Nonsense is a tool skillfully used to help put an end to seeking a path of reason and to point to an enlightened state unbound by the polarity of logic or illogic. For the dissolution thesis, on the other hand, the endless wordplay in Zen literature represents an infantile stammering and the willful abandonment of meaning, and is a kind of verbal cunning and trickery that harbors risky ethical (i.e., antinomian) consequences. Here we find clearly the roots of the critique of Zen's failure to negotiate human rights issues, which seems to rest on a tendency toward deceptive, duplicitous rhetoric that avoids being pinned down or committed to any particular view or decision.”

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“Zen discourse ranges from rejection to veneration with exorcistic trends never disappearing, and the haughty disdain for supernaturalism in some records coexists with full-scale syncretism that includes purification rites. This range in the levels of discourse of Japanese amalgamations offers many striking contrasts with the nonassimilative, intolerant interactions between Christianity and medieval European paganism.”

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“When acknowledged, problems regarding Zen rights are seen by TZN as skin, flesh, and bones relative to a record of outstanding accomplishment in addressing the greater needs of humankind and the potential that Zen has at its core, or marrow, to achieve much more in the social realm than other less philosophically consistent spiritual outlooks or less disciplined forms of religious training. To put it crudely, according to TZN, Zen and only Zen, which functions seamlessly in both the ideal and real realms, is capable of embarking on a worldwide mission to save modern civilization from its own undoing. But according to HCC, the Zen approach, in which there festers an irresolvable gap between realms, has already shown its failure to address some basic matters of inequity within the narrow context of Japanese society and should not be let off the hook.”

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“TZN acknowledges that during its peak institutional period, Zen had close affiliations and received significant support from the elite classes in both China (among scholar/officials and literati during the Sung dynasty) and Japan (among samurai and those affiliated with the newly dominant Hōjō and Ashikaga warrior clans during the Kamakura and Muromachi eras, respectively). Even Dogen, known for his integrity and commitment to reclusion, could not have established Eiheiji temple without the benefaction of his chief patron, the one-eyed samurai retainer Hatano Yoshishige. The positive side of maintaining these connections is that Zen learned a mastery of organizational structure and techniques for community relations and outreach. Furthermore, the historical development of Zen in medieval Japanese society was somewhat different than in China, as Zen monks also formed strong affinities with outcasts and the downtrodden.”

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“While Eisai's Rinzai sect became known as "shogun Zen" because it gained support from the militaristic Hojo government that established power in the thirteenth century, Dōgen's Sōtō Zen sect, sometimes referred to as "farmer's Zen," used a broad range of evangelical and public works projects to spread into the countryside, especially in the northern provinces. These included mass precept ceremonies and summer retreats for laypersons, as well as large-scale bridge building and irrigation installations. Through these methods, Sōtō Zen was especially successful in trying "to reach the social classes that had been unable to participate in the formal Buddhist funerals and memorial services of the older sects—Shingon, Tendai, and the Gozan Zen schools." Therefore, in many ways, Zen in medieval Japan exercised a commitment to social reform through the overcoming of discrimination and injustice and by increasing the base of those who benefited from the spread of the dharma.”

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“While not inherently "green" in the current sense of ecology, Zen evidences quite a number of core qualities and values that can be considered ecofriendly and help it serve as a model for new theories that address problems of conservation and pollution control. Traditional Japanese society is characterized by an approach based on healthy, efficient, and convenient living derived from a mental outlook that makes the most of minimal natural resources. Zen particularly endorses the values of simplicity, in that monks enter the Samgha Hall only with robes, bowls, and a few other meager possessions; thrift, by making a commitment to waste nothing; and communal manual labor, such that through a rotation of chores everyone contributes to the upkeep of the temple. The image of dedicated monks sweeping the wood floors of the hallways by rushing along on their hands in a semi-prostrate position is inspiring. Furthermore, the monastic system's use of human and material resources, including natural space, is limited and spare in terms of temple layout, the handling of administrative duties and chores, and the use of stock items. The sparse, spartan, vegetarian Zen cook, who prepares just enough rice gruel for his fellow monks but not a grain too much or too little, demonstrates an inherent—if not necessarily deliberate—conservationist approach. The minimalist aesthetic of rock gardens highlights the less-is-more Zen outlook that influenced the "Buddhist economics" evoked by E. F. Schumacher in Small Is Beautiful.”

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“Zen is eminently practical in seeing nature as a model for human behavior to learn and practice the way of the dharma. For example, the pine trees weathering the harsh winter storms teach a lesson in the value of dedication and determination in pursing the path to enlightenment; bamboo branches that sway but are not broken by the breeze teach flexibility and the need to overcome stubborn one-sided or partial views; and evaporating dew, which accepts its brevity and inevitable demise, shows the demise, significance of adjusting and abandoning resistance to the impermanence of reality. These natural images, which are used extensively in the Chinese and Japanese poetic traditions, frequently enter into various styles of Zen verse and prose, not just as rhetorical flourishes but as indicators of inner spiritual transformation.”

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