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Death in Venice and Other Stories

Book by Thomas Mann · 4 quotes · Beauty, Male Beauty, Thomas Mann

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Death in Venice and Other Stories Quotes

“He surrendered utterly to the power that to him seemed the highest on earth, to whose service he felt called, which promised him elevation and honours: the power of intellect, the power of the Word, that lords it with a smile over the unconscious and inarticulate. To this power he surrendered with all the passion of youth, and it rewarded him with all it had to give, taking from him inexorably, in return, all that it is wont to take. It sharpened his eyes and made him see through the large words which puff out the bosoms of mankind; it opened for him men’s souls and his own, made him clairvoyant, showed him the inwardness of the world and the ultimate behind men’s words and deeds. And all that he saw could be put in two words: the comedy and the tragedy of life. And then, with knowledge, its torment and its arrogance, came solitude; because he could not endure the blithe and innocent with their darkened understanding, while they in turn were troubled by the sign on his brow. But his love of the word kept growing sweeter and sweeter, and his love of form; for he used to say (and had already said it in writing) that knowledge of the soul would unfailingly make us melancholy if the pleasures of expression did not keep us alert and of good cheer.”

“Aschenbach noticed with astonishment the lad's perfect beauty. His faced recalled the noblest moment of Greek sculpture—pale, with a sweet reserve, with clustering honey-coloured ringlets, the brow and nose descending in one line, the winning mouth, the expression of pure and godlike serenity. Yet with all this chaste perfection of form it was of such unique personal charm that the observer though he had never seen, either in nature or art, anything so utterly happy and consummate.”

“Sun and sea air could not burn his skin, it was the same creamy marble hue as at first—though he did look a little pale, either from the cold or in the bluish moonlight of the arc-lamps. The shapely brows were so delicately drawn, the eyes so deeply dark—lovelier he was than words could say, and as often the thought visited Aschenbach, and brought its own pang, that language could but extol, not reproduce, the beauties of the sense.”

“The sight of that dear form was unexpected, it had appeared unhoped-for, without giving him time to compose his features. Joy, surprise, and admiration might have painted themselves quite openly upon his face - and just at this second it happened that Tadzio smiled. Smiled at Aschenbach, unabashed and friendly, a speaking, winning, captivating smile, with slowly parting lips. With such a smile it might be that Narcissus bent over the mirroring pool, a smile profound, infatuated, lingering, as he put out his arms to the reflection of his own beauty; the lips just slightly pursed, perhaps half-realizing his own folly in trying to kiss the cold lips of his shadow—with a mingling of coquetry and curiosity and a faint unease, enthralling and enthralled.”