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Male Beauty Quotes

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Male Beauty Quotes

“She felt herself leaning forward, and sucked in a breath to steady herself, then wished she had not, for immediately the fresh, sweaty, sun-soaked scent of him filled her nostrils, fueling the mad urge to reach out a fingertip and graze that triangle of skin, a desire of such intensity she could hardly breathe or move.”

“THIS IS WHAT A MAN LOOKS LIKE. HE DOES NOT HAVE TO BE AESTHETICALLY PLEASING; HE DOES NOT HAVE TO BE MUSCULAR; HE DESERVES NOT TO BE PHOTOSHOPPED. HE IS HUMAN, AND HE HAS BLEMISHES. HERE HE STANDS, VISIBLE. HE SEES YOU ALL, COUNTLESS INVISIBLE OTHERS LIKE HIM. THIS BODY IS ACCEPTABLE — PUBESCENT, AWKWARD, MARRED. YOU DON’T HAVE TO BE INVISIBLE. WE ARE ALL GOOD ENOUGH. THERE IS NOTHING WRONG WITH OUR BODIES.”

“[Fashionable Beard] I asked a friend growing a fashionable beard playfully: “Has your beard increased your fans?” “You have no idea how much it has!” He responded. “Do you wonder why people can’t see you clearly without it?” I asked. “This beard reminds me every day that people simply refuse to see things as they are – bare and naked. They will notice and see things covered with any cover, except not as they are!” he added with a laughter. [Original poem published in Arabic on January 16, 2023 at ahewar.org]”

“The alchemist picked up a book that someone in the caravan had brought. Leafing through the pages, he found a story about Narcissus. The alchemist knew the legend of Narcissus, a youth who knelt daily beside a lake to contemplate his own beauty. He was so fascinated by himself that, one morning, he fell into the lake and drowned. At the spot where he fell, a flower was born, which was called the narcissus. But this was not how the author of the book ended the story. He said that when Narcissus died, the goddesses of the forest appeared and found the lake, which had been fresh water, transformed into a lake of salty tears. 'Why do you weep?' the goddesses asked. 'I weep for Narcissus," the lake replied. 'Ah, it is no surprise that you weep for Narcissus,' they said, 'for though we always pursued him in the forest, you alone could contemplate his beauty close at hand.' 'But... was Narcissus beautiful?' the lake asked. 'Who better than you to know that?' the goddesses asked in wonder. 'After all, it was by your banks that he knelt each day to contemplate himself!' The lake was silent for some time. Finally, it said: 'I weep for Narcissus, but I never noticed that Narcissus was beautiful. I weep because, each time he knelt beside my banks, I could see, in the depths of his eyes, my own beauty reflected.' 'What a lovely story,' the alchemist thought.”

“He was gleamingly, smolderingly beautiful, like a pure medieval knight or a young King Arthur stepping off the pages of a painting. Though it was always Lancelot who was shown with fair hair like Linden's, those long strands of dark gold and amber softening the hard planes of his warrior-strong face. Did Lancelot have a mouth like Linden's? Full and strong and sensual? Suggesting unspeakable delights if one could only unlock the man who possessed it? Was it a mouth like this which undid Guinevere?”

“Gracie's first thought was that it was unfair a man should have such a sinfully beautiful mouth. Her next was that it was made for seduction and unspeakable delights. And her third was that it was made for despair—for despair was what she could not help but feel as she stared at this young man, who seemed a strange and uncanny reflection of herself. Not only a more perfect specimen of manhood than she could ever pretend to be in her feigned garb, but a man who reflected her very soul back to her without even seeming to realize it, more herself than she was, yet in the way that fire complimented frost, or the ocean reflected the stars.”

“His hair was a dark gold and worn long enough to reach his chin. It had been pulled back into a tight queue for riding and bound with a leather strip, but the wind had pulled it loose and now it flew around his face. Perhaps on another man, the style might have been unflattering. But on Linden Chevalier it only added something more alluring to his presence, and as he lifted a black-gloved hand to push it back, the set of his jaw and twist of his mouth made him look sharp and wicked.”

“They were close enough that she could finally see him clearly. Her eyes took in the sight of the Scot, standing tall in full Highland dress. “Oh, delightful,” she muttered to herself. She was at her worst, with seaweed hair streaming water, while Wren had apparently decided to put on his Sunday best. And didn’t he look absolutely magnificent! If her heart had not already been doing troublesome things before, it was pounding in brazen excitement as she looked at him now. This was her husband. Dear Lord. This was her husband. He was always a very striking man. The cleft of his chin. His sturdy Roman nose. The softness of his dark, sooty lashes over those gorgeous blue eyes. His height, his breadth, his width. His girth? Briar almost giggled. Shush, she told herself. But now? Gracious, he was unbearably handsome. There was something about a man in a kilt. Especially the way Wren was wearing it. The dark green Renfrew plaid, shot through with its strands of red and white and gold, was already a lovely thing. Against Wren's form, contrasted against his dark hair, it was a god's finery. Every pleat, every fold fitting his leanly muscled physique. She swallowed hard, then took another step.”

“Patience's mental imprecations reached new heights. Mrs. Chadwick had not lied- Vane Cynster was the very epitome of an elegant gentleman. His hair, burnished chestnut several shades darker than her own, glowed softly in the candlelight, wave upon elegant wave sitting perfectly about his head. Even across the room, the strength of his features registered; clear-cut, hard-edged, forehead, nose, jaw, and cheeks appeared sculpted out of rock. Only his lips, long and thin with just a hint of humor to relieve their austerity, and the innate intelligence and, yes, wickedness, that lit his grey eyes, gave any hint of mere mortal personality- all else, including, Patience grudgingly acknowledged, his long, lean body, belonged to a god.”

“Refusing to meet his eyes, she looked at his mouth instead. It was a beautiful mouth for a man, she had to admit. Full and sensual, yet masculine. A layer of dark stubble coated the bottom half of his face. Apparently, Mr. Calvert did not shave as frequently when he traveled. There was something rather erotic about the contrast between the alluring lips and the rough dark hair. Something which almost made her want to run a finger over his skin, to touch those lips, to feel that layer of stubble. Would it be rough to the touch or was it softer than it looked?”

“Sometime during high school he’d gotten . . . kind of . . . beautiful, and Harper found it easier to not look directly at him. When she did, it did strange things to her, making her voice high and her cheeks burn. So she only ever really looked at him out of the corner of her eyes, like one would look at a solar eclipse.”

“The avenue seemed full of gay people these days, persons as happy as she. At intervals were stationed the mounted traffic police. Their splendid figures, their neat, well-fitting uniforms, their highly polished puttees protecting perfectly formed legs, the thigh outlined by pressure against the horse's side, all combined to make a picture which she found irresistibly appealing. She found herself looking for the mounted police. She formed preferences for one or the other. She thought of the Aztecs with their idea that men astride of horses were some kind of god,and she smiled to think that her poetic sense was interpreting these horsemen in the same light. She liked especially to view the officers from the back, the torso, the carriage, the outline of the leg all accentuated.”

“Let me see your eyes." He lifted his face, and Evelinde clasped him by both cheeks, her gaze moving slowly over his eyes. They looked perfectly fine to her, however. More than fine. They were really quite beautiful; large and a deep brown so dark they appeared almost black. They were also fringed by long black lashes. The rest of his face was rugged, however, with sharp planes, an arrow-straight nose, and his lips--- Evelinde's eyes paused there, noting that his upper lip was thin, but the lower one was full and looked as if it would be soft to the touch. Before she could think better of it, curiosity made her shift one thumb to rub it over the pillowed surface, and she found it was indeed soft. Then Evelinde realized what she'd done. She could feel a sudden blush rise to cover her face and released him abruptly. "There was a bit of dirt there," she lied, trying to step away at the same time, but his legs immediately closed on either side of her. Finding herself trapped between his knees, Evelinde felt her first moment of disquiet with the man. Not fear, exactly. For some reason she felt sure she had nothing to fear from this man, but the action did make her nervous.”

“Aschenbach noticed with astonishment the lad's perfect beauty. His faced recalled the noblest moment of Greek sculpture—pale, with a sweet reserve, with clustering honey-coloured ringlets, the brow and nose descending in one line, the winning mouth, the expression of pure and godlike serenity. Yet with all this chaste perfection of form it was of such unique personal charm that the observer though he had never seen, either in nature or art, anything so utterly happy and consummate.”

“Sun and sea air could not burn his skin, it was the same creamy marble hue as at first—though he did look a little pale, either from the cold or in the bluish moonlight of the arc-lamps. The shapely brows were so delicately drawn, the eyes so deeply dark—lovelier he was than words could say, and as often the thought visited Aschenbach, and brought its own pang, that language could but extol, not reproduce, the beauties of the sense.”

“The sight of that dear form was unexpected, it had appeared unhoped-for, without giving him time to compose his features. Joy, surprise, and admiration might have painted themselves quite openly upon his face - and just at this second it happened that Tadzio smiled. Smiled at Aschenbach, unabashed and friendly, a speaking, winning, captivating smile, with slowly parting lips. With such a smile it might be that Narcissus bent over the mirroring pool, a smile profound, infatuated, lingering, as he put out his arms to the reflection of his own beauty; the lips just slightly pursed, perhaps half-realizing his own folly in trying to kiss the cold lips of his shadow—with a mingling of coquetry and curiosity and a faint unease, enthralling and enthralled.”

“But now that I was here, standing less than two feet away from the most gorgeous man I had ever seen... Frederick J. Fitzwilliam's appearance was all I could think about. He looked like he was maybe in his mid-thirties, though he had the sort of long, pale, slightly angular face where it was hard to tell. And his voice wasn't the only thing with high production values. No, he also had this ridiculously thick, dark hair that fell rakishly across his forehead like he'd sprung fully formed out of a period drama where people with English accents kissed in the rain. Or like he was the hero from the last historical romance novel I'd read. When he gave me a small, expectant smile, a dimple popped in his right cheek.”

“He wasn't at all what she had imagined. Tall, yes- but not plain, not dependable, not kind. Not by any stretch of fancy. The gray eyes that regarded her were as deep and subtle and light-tricked as smoke from a wildfire. The face belonged to an archangel from the shadows: a cool, sulky mouth and an aquiline profile, and Satan's own intelligence in the assessing look he gave her. The candles behind him lit a smoldering halo of reddish gold around his black hair and turned each faint, frosted breath to a brief glow. He was not homely. He was utterly and appallingly beautiful, in the way the gleaming steel blossoms of murder and mayhem adorning the walls of the great hall were beautiful.”

“So far as female beauty is concerned, the Circassian women have no superiors. They have preserved in their mountain home the purity of the Grecian models, and still display the perfect physical loveliness, whose type has descended to us in the Venus de Medici.”

“Mann is widely recognized as a master of irony and ambiguity, yet it's remarkable how quickly people foreclose options he carefully leaves open. Lots of readers - including eminent critics - jump to conclusions: that Nietzsche's Birth of Tragedy is a central background text, that Aschenbach is an inferior writer, that he's never been attracted by pubescent male beauty before, that he dies of cholera.”