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Viet Thanh Nguyen Biography

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“All sorts of situations exist where one tells lies in order to reach an acceptable truth, and our conversation continued thus until we agreed on the mutually acceptable sum of ten thousand dollars, which, if being only half what I asked for, was twice their original offer. After the representative wrote a new check, I signed the documents and we traded farewell pleasantries that were worth as little as the trading cards of unknown baseball players.”

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“My chances of returning to America were small, and I thought with regret about all the things I would miss about America: the TV dinner; air-conditioning; a well-regulated traffic system that people actually followed; a relatively low rate of death by gunfire, at least compared with our homeland; the modernist novel; freedom of speech, which, if not as absolute as Americans liked to believe, was still greater in degree than in our homeland; sexual liberation; and, perhaps most of all, that omnipresent American narcotic, optimism, the unending flow of which poured through the American mind continuously, whitewashing the graffiti of despair, rage, hatred, and nihilism scrawled there nightly by the black hoodlums of the unconscious. There were also many things about America with which I was less enchanted, but why be negative?”

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“When was the last time an American president found it worth his while to write a speech on the importance of art and literature? I cannot recall. And yet at Yan’an, Mao said that art and literature were crucial to revolution. Conversely, he warned, art and literature could also be tools of domination. Art could not be separated from politics, and politics needed art in order to reach the people where they lived, through entertaining them.”

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“We cannot know whether our pain is like anybody else's pain until we talk about it. Once we do that, we speak and think in ways cultural and individual. In this country, for example, someone fleeing for his life will think he should call for the police. This is a reasonable way to cope with the threat of pain. But in my country, no one calls for the police, since it is often the police who inflict the pain.”

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“He had complicated our task of being pleasant dinner companions by mentioning famine, something that Americans had never known. The word could only conjure otherworldly landscapes of the skeletal dead, which was not the spectral image we wanted to present, for what one should never do was to require other people to imagine they were just like one of us. Spiritual teleportation unsettled most people, who, if they thought of others at all, preferred to think that others were just like them or could be just like them.”

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“I breakfasted with the crapulent major a week later. It was an earthy, quotidian scene, the kind Walt Whitman would have loved to write about, a sketch of the new America featuring hot rice porridge and fried crullers at a Monterey Park noodle shop crammed full of unrepentantly unassimilated Chinese and a few other assorted Asians.”

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“Our gathering was not as strange a thing as it might have appeared. A xenophobe would see a company of foreigners in camouflage uniforms, carrying out military drills and calisthenics, and might imagine us to be the lead element of some nefarious Asian invasion of the American homeland, a Yellow Peril in the Golden State, a diabolical dream of Ming the Merciless sprung to life. Far from it. The General's men, by preparing themselves to invade our now communist homeland, were in fact turning themselves into new Americans. After all, nothing was more American than wielding a gun and committing oneself to die for freedom and independence, unless it was wielding that gun to take away someone else’s freedom and independence.”

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“What I would give to have those usless things with me now, kneeling by my mother's tomb and resting my head against its rough surface. Not the tomb in the hamlet where she had died, but here, in Luzon, in the cemetery built by Harry just for authenticity's sake. When I had seen his field of stones, I had asked to have the biggest tomb for my own use. On the tombstone I had pasted a reproduction of my mother's black-and-white picture that I carried in my wallet, the only extant image of her besides the rapidly fading ones in my mind, which had taken on the quality of a poorly preserved silent movie, its frames cracked by hairline fractures. On the gray face of the tombstone I painted her name and her dates in red, the mathematics of her life absurdly short for anyone but a grade-schooler to whom thirty-four-years seemed an eternity. Tombstone and tomb were cast from adobe rather than carved from marble, but I took comfort in knowing no one would be able to tell on film. At least in this cinematic life she would have a resting place fit for a mandarin's wife, an ersatz but perhaps fitting grave for a woman who was never more than an extra to anyone but me.”

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“Dare I admit it? Dare I confess? America, land of supermarkets and superhighways, of supersonic jets and Superman, of supercarriers and the Super Bowl! America, a country not content simply to give itself a name on its bloody birth, but one that insisted for the first time in history on a mysterious acronym, USA, a trifecta of letters outdone later only by the quartet of the USSR. Although every country thought itself superior in its own way, was there ever a country that coined so many “super” terms from the federal bank of its narcissism, was not only superconfident but also truly superpowerful, that would not be satisfied until it locked every nation of the world into a full nelson and made it cry Uncle Sam?”

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“Typical white man behavior, Ms. Mori said. Have you ever noticed how a white man can learn a few words of some Asian language and we just eat it up? He could ask for a glass of water and we’d treat him like Einstein. Sonny smiled and wrote that down, too. You’ve been here longer than we have, Ms. Mori, he said with some admiration. Have you noticed that when we Asians speak English, it better be nearly perfect or someone’s going to make fun of our accent? It doesn’t matter how long you’ve been here, Ms. Mori said. White people will always think we’re foreigners. But isn’t there another side to that? I said, my words a little slurred from the cognac in my bloodstream. If we speak perfect English, then Americans trust us. It makes it easier for them to think we’re one of them.”

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“I might have been just half an Asian, but in America it was all or nothing when it came to race. You were either white or you weren’t. Funnily enough, I had never felt inferior because of my race during my foreign student days. I was foreign by definition and therefore was treated as a guest. But now, even though I was a card-carrying American with a driver’s license, Social Security card, and resident alien permit, Violet still considered me as foreign, and this misrecognition punctured the smooth skin of my self-confidence. Was I just being paranoid, that all-American characteristic? Maybe Violet was stricken with colorblindness, the willful inability to distinguish between white and any other color, the only infirmity Americans wished for themselves.”

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“Unlike Man and Ngo, I was never much of an organizer or agitator, which was one reason, Man would say later, that the committees above decided I would be a mole. He used the English word, which we had learned not so long ago in our English course, taught by a professor whose greatest joy was diagramming sentences. A mole? I said. The animal that digs underground? The other kind of mole. There's another kind? Of course. To think of a mole as that which digs underground misunderstands the meaning of the mole as a spy. A spy's task is not to hide himself where no one can see him, since he will not be able to see anything himself. A spy's task is to hide where everyone can see him and where he can see everything. Now ask yourself: What can everyone see about you but you yourself cannot? Enough with the riddles, I said. I give up. There—he pointed at the middle of my face-in plain sight. I went to the mirror to see for myself, Man peering over my shoulder. There it indeed was, such a part of myselfI had long ago ceased to notice it. Keep in mind that you will be not just any mole, Man said, but the mole that is the beauty spot on the nose of power itself.”

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“Movies were America’s way of softening up the rest of the world, Hollywood relentlessly assaulting the mental defenses of audiences with the hit, the smash, the spectacle, the blockbuster, and, yes, even the box office bomb. It mattered not what story these audiences watched. The point was that it was the American story they watched and loved, up until the day that they themselves might be bombed by the planes they had seen in American movies.”

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“How about something to drink. Coffee, tea, soda, water, scotch. Never too early for scotch. Violet, some scotch. Ice. I said ice. No ice, then. Me too. Always neat for me. Look at my view. No, not at the gardener. José! José! Got to pound on the glass to get his attention. He's half deaf. José! Move! You're blocking the view. Good. See the view. I'm talking about the Hollywood sign right there. Never get tired of it. Like the Word of God just dropped down, plunked on the hills, and the Word was Hollywood. Didn't God say let the be light first. What's a movie but light. Can't have a movie without light. And then words. Seeing that sign reminds me to write every morning. What. All right, so it doesn't say Hollywood. You got me. Good eye. Thing's falling to pieces. One O's half fallen and the other O's fallen altogether. The word's gone to shit. So what. You still get the meaning. Thanks, Violet. Cheers. How do they say it in your country. I said how do they say it. Yo, yo, yo, is it. I like that. Easy to remember. Yo, yo, yo, then.”

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“I gradually shrank in size until I was a teenager, then a child, and then, at last, a baby, crawling, until inevitably I was sucked naked and screaming through that portal every man's mother possesses, into a black hole where all light vanished. As that last glimmer faded, it occurred to me that the light at the end of the tunnel seen by people who have died and come back to life was not Heaven. Wasn't it much more plausible that what they saw was not what lay ahead of them but what lay behind? This was the universal memory of the first tunnel we all pass through, the light at its end penetrating our fetal darkness...”

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“Che Guevera and the Maoist PhD saw the Vietnamese revolution only from afar, with all its glamorous makeup, whereas I had seen it close up, denuded. Three million people dead for a revolution was, arguably, worth it, although that was always easier for the living! But three million people dead for this revolution? We had simply traded one Repressive State Apparatus for another one, and the only difference was that it was our own.”

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“As a nonwhite person, the General, like myself, knew he must be patient with white people, who were easily scared by the nonwhite. Even with liberal white people, one could go only so far, and with average white people one could barely go anywhere. The General was deeply familiar with the nature, nuances, and internal differences of white people, as was every nonwhite person who had lived here a good number of years. We ate their food, we watched their movies, we observed their lives and psyche via television and in everyday contact, we learned their language, we absorbed their subtle cues, we laughed at their jokes, even when made at our expense, we humbly accepted their condescension, we eavesdropped on their conversations in supermarkets and the dentist’s office, and we protected them by not speaking our own language in their presence, which unnerved them. We were the greatest anthropologists ever of the American people, which the American people never knew because our field notes were written in our own language in letters and postcards dispatched to our countries of origin, where our relatives read our reports with hilarity, confusion, and awe. Although the Congressman was joking, we probably did know white people better than they knew themselves, and we certainly knew white people better than they ever knew us.”

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“I was doing my best imitation of a Third World child on one of those milk cartons passed around elementary schools for American children to deposit their pennies and dimes in order to help poor Alejandro, Abdullah, or Ah Sing have a hot lunch and an immunization. And I was thankful, truly! But I was also one of those unfortunate cases who could not help but wonder whether my need for American charity was due to my having first been the recipient of American aid.”

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“How about something to drink. Coffee, tea, soda, water, scotch. Never too early for scotch. Violet, some scotch. Ice. I said ice. No ice, then. Me too. Always neat for me. Look at my view. No, not at the gardener. José! José! Got to pound on the glass to get his attention. He's half deaf. José! Move! You're blocking the view. Good. See the view. I'm talking about the Hollywood sign right there. Never get tired of it. Like the Word of God just dropped down, plunked on the hills, and the Word was Hollywood. Didn't God say let there be light first. What's a movie but light. Can't have a movie without light. And then words. Seeing that sign reminds me to write every morning. What. All right, so it doesn't say Hollywood. You got me. Good eye. Thing's falling to pieces. One O's half fallen and the other O's fallen altogether. The word's gone to shit. So what. You still get the meaning. Thanks, Violet. Cheers. How do they say it in your country. I said how do they say it. Yo, yo, yo, is it. I like that. Easy to remember. Yo, yo, yo, then.”

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“White people love you, don't they? They only like me. They think I'm a dainty little china doll with bound feet, a geisha who's ready to please. But I don't talk enough for them to love me, or at least I don't talk the right way. I can't put on the whole sukiyaki-and-sayonara show they love, the chopsticks in the hair kind of mumbo jumbo, all that Suzie Wong bullshit, like every white man who comes along is William Holden or Marlon Brando, even if he looks like Mickey Rooney.”

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