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Wynn Bullock

Wynn Bullock Books

Photographer

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“What I feel is that the picture-taking process, anyway a greater part of it, is an intuitive thing. You can't go out and logically plan a picture, but when you come back, reason then takes over and verifies or rejects whatever you've done. So that's why I say that reason and intuition are not in conflict-they strengthen each other.”

FeelsReasonDoneProcessGreaterPlansConflictPhotographyPhotographerIntuitionRejectsIntuitiveVerifyPicture Taking
Author:Wynn Bullock
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“The camera is not only an extension of the eye but of the brain. It can see sharper, farther, nearer, slower, faster than the eye. It can see by invisible light. It can see in the past, present, and future. Instead of using the camera only to reproduce objects, I wanted to use it to make what is invisible to the eye - visible.”

UseLightEyeWantedPastBrainObjectsPhotographyCamerasInvisibleFasterVisibleExtensionsPast PresentPast Present And Future
Author:Wynn Bullock
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“A thing is not what you say it is or what you photograph it to be or what you paint it to be or what you sculpt it to be. Words, photographs, paintings, and sculptures are symbols of what you see, think, and feel things to be, but they are not the things themselves.”

ThinkingFeelsPaintingPhotographyPaintPhotographerPhotographSymbolsSculpture
Book:Wynn Bullock, photographing the nude: the beginnings of a quest for meaning
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“The urge to create, the urge to photograph, comes in part from the deep desire to live with more integrity, to live more in peace with the world, and possibly to help others to do the same.”

WorldHelpingDesireIntegrityPhotographyPhotographerPhotographHelping OthersUrgesDesire To LiveDeep Desire
Book:Wynn Bullock, photographing the nude: the beginnings of a quest for meaning
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“As I became aware that all things have unique spatial and temporal qualities which visually define and relate them, I began to perceive the things I was photographing not as objects but as events. Working to develop my skills of perceiving and symbolizing these event qualities, I discovered the principle of opposites. When, for example, I photographed the smooth, luminous body of a woman behind a dirty cobwebbed window, I found that the qualities of each event were enhanced and the universal forces which they manifested were more powerfully evoked.”

BodyFoundForceBehindsQualityPrinciplesEventsExampleObjectsSkillsPhotographyUniqueAll ThingsWindowOppositesUniversalPhotographerRelateDirtyPerceiveSmoothLuminousSpatial
Book:Wynn Bullock, photographing the nude: the beginnings of a quest for meaning
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“In a photograph, if I am able to evoke not alone a feeling of the reality of the surface physical world but also a feeling of the reality of existence that lies mysteriously and invisibly beneath its surface, I feel I have succeeded. At their best, photographs as symbols not only serve to help illuminate some of the darkness of the unknown, they also serve to lessen the fears that too often accompany the journeys from the known to the unknown.”

IfsWorldFeelsHelpingFeelingsRealityAbleLyingExistenceKnownDarknessJourneyPhotographyPhotographerPhotographSurfaceSymbolsNot AloneEvokeAccompany
Author:Wynn Bullock
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“I totally disagree with the belief that nature was only made for the use of people. Human beings are not the center of the universe, and, if they are to sustain themselves, it is vitally important for them to be awakened to how closely they are linked with the rest of nature.”

PeopleIfsHumansMadeImportantUseUniverseBeliefNatureHuman BeingsPhotographyPhotographerDisagreeLinkedAwakenedCenter Of The Universe
Book:Wynn Bullock, photographing the nude: the beginnings of a quest for meaning
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“A person is quite different from a tree or rock or stream. By introducing the nude into my pictures, I started perceiving all the things I was photographing in new ways. In contrast or opposition to each other, things became much more significant and interesting, revealing many more qualities than I had ever dreamed of knowing and expressing. By using the nude, I stopped thinking in terms of objects.”

ThinkingWayPersonsDifferentTogetherEnergyTermInterestingQualityKnowingSeeingTreeRocksEventsObjectsPhotographyUniqueUniversalPhotographerSignificantRelatedStreamsOppositionContrastIntroducingNew WaysRevealing
Author:Wynn Bullock
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“My pictures are never pre-visualized or planned. I feel strongly that pictures must come from contact with things at the time and place of taking. At such times, I rely on intuitive, perceptual responses to guide me, using reason only after the final print is made to accept or reject the results of my work.”

FeelsMadeReasonResultsAcceptingPhotographyResponseFinalsPhotographerGuidesContactRelyRejectsPrintIntuitiveGuide Me
Book:The enchanted landscape: photographs 1940-1975
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“There is nothing mysterious about space-time. Every speck of matter, every idea, is a space-time event. We cannot experience anything or conceive of anything that exists outside of space-time. Just as experience precedes all awareness and creative expression, the visual language of our photographs should ever more strongly express the fourth dimensional structure of the real world.”

WorldShouldIdeasRealMatterLanguageSpaceCreativeAwarenessEventsExpressionPhotographyStructurePhotographerPhotographMysteriousVisualsReal WorldFourthSpecksSpace TimeCreative Expression
Author:Wynn Bullock
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“Theoretical scientists who probe the secrets of the universe and philosophers who seek answers to existence, as well as painters such as Paul Klee who find the thoughts of men of science compatible with art, influence me far more than most photographers.”

MenWellsArtUniverseAnswersSecretExistenceInfluencePhotographyScientistPhotographerPhilosopherPainterTheoreticalCompatible
Book:Wynn Bullock, photographing the nude: the beginnings of a quest for meaning
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