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Yukio Mishima

Yukio Mishima Quotes

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“It was certainly not consolation that Kashiwagi sought in beauty. .. What he loved was that for a short while after his breath had brought beauty into existence in the air, his own clubfeet and gloomy thinking remained there, more clearly and more vividly than before. The uselessness of beauty, the fact that beauty which had passed through his body left no mark there whatsoever, that it changed absolutely nothing- it was this that Kashiwagi loved.”

“Beauty, on the other hand, is always on this side. It is in this world, in the present, firm; it can be touched with the hand. That our sexual appetites can taste it is beauty's precondition. Sensuality is, therefore, essential. It confirms beauty. However, beauty can never be reached, because the susceptibilities of sense, more than anything else, block attainment of it. The method by which the Greeks expressed beauty through sculpture was a wise one. I am a novelist. Of all the rubbish that has been invented in the modern times, the profession I have chosen is the worst. Don't you think that for the expression of beauty it is the most bungling and low-class of professions?”

“Beauty has become a stimulus to garrulity. It has gotten so that on confronting the beautiful one feels duty-bound to say something in a great hurry. It has gotten so we feel we must convert beauty right away. If we don't convert it, it's dangerous. Like explosives, beauty has become a difficult thing to own. The power of possessing beauty through silence, this majestic power for which one would lay down his life, has been lost.”

“True beauty makes men dumb [...] criticism, like beauty, sought above all to strike men dumb [...] Criticism's method was to evoke silence without calling on beauty [...] At some time, however, the faith that beauty must strike dumb became a thing of the past. Beauty has not only failed to silence people, it has gotten so even when it passes through the middle of a banquet people don't stop talking. Those of you who have gone to Kyoto do not fail to go to the Stone Garden at the Ryoanji Temple [...]It is a garden to strike men dumb. The amusing thing , though, is that [...] saying that it would not do not to say a word, they screw up their faces trying to squeeze out a haiku [...] It has gotten so we feel we must say something in a great hurry. It has gotten so feel we must convert beauty right away. If we don't convert it, it's dangerous. [...] With this, the age of criticism began.”