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Yukio Mishima Quotes

Browse 21 quotes about Yukio Mishima.

Yukio Mishima Quotes

“Beauty, on the other hand, is always on this side. It is in this world, in the present, firm; it can be touched with the hand. That our sexual appetites can taste it is beauty's precondition. Sensuality is, therefore, essential. It confirms beauty. However, beauty can never be reached, because the susceptibilities of sense, more than anything else, block attainment of it. The method by which the Greeks expressed beauty through sculpture was a wise one. I am a novelist. Of all the rubbish that has been invented in the modern times, the profession I have chosen is the worst. Don't you think that for the expression of beauty it is the most bungling and low-class of professions?”

“A feeling of liberation should contain a bracing feeling of negation, in which liberation itself is not negated. In the moment a captive lion steps out of his cage, he possesses a wider world than the lion who has known only the wilds. While he was in captivity, there were only two worlds to him; the world of the cage, and the world outside the cage. Now he is free. He roars. He attacks people. He eats them. yet he is not satisfied, for there is no third world that is neither the world of the cage nor the world outside the cage. Etsuko however, had in her heart not the slightest interest in these matters. Her soul knew nothing but affirmation.”

“Não exagero ao afirmar que o primeiro problema com que me defrontei na vida foi a questão da beleza. Meu pai não passava de um humilde monge provinciano com conhecimentos deficientes de vocabulário. Tudo que ele pôde me ensinar foi que "nada nesse mundo era mais belo que o Pavilhão Dourado". O simples pensamento de que a beleza já existia em algum lugar desconhecido causava-me descontentamento e ansiedade. Porque se de fato ela existisse nesse lugar, então minha própria existência seria algo alheio a ela.”

“When a boy… discovers that he is more given into introspection and consciousness of self than other boys his age, he easily falls into the error of believing it is because he is more mature than they. This was certainly a mistake in my case. Rather, it was because the other boys had no such need of understanding themselves as I had: they could be their natural selves, whereas I was to play a part, a fact that would require considerable understanding and study. So it was not my maturity but my sense of uneasiness, my uncertainty that was forcing me to gain control over my consciousness. Because such consciousness was simply a steppingstone to aberration and my present thinking was nothing but uncertain and haphazard guesswork.”

“At one time, I had been the type of boy who leaned at the window, forever watching out for unexpected events to come crowding in towards him. Though I might be unable to change the world myself, I could not but hope that the world would change of its own accord. As that kind of boy, with all the accompanying anxieties, the transformation of the world was an urgent necessity for me; it nourished me from day to day; it was something without which I could not have lived. The idea of the changing of the world was as much a necessity as sleep and three meals a day. It was the womb that nourished my imagination.”

“Yet why must it be that men always seek out the depths, the abyss? Why must thought, like a plumb line, concern itself exclusively with vertical descent? Why was it not feasible for thought to change direction and climb vertically up, ever up, towards the surface? Why should the area of the skin, which guarantees a human being’s existence in space, be most despised and left to the tender mercies of the senses? I could not understand the laws governing the motion of thought—the way it was liable to get stuck in unseen chasms whenever it set out to go deep; or, whenever it aimed at the heights, to soar away into boundless and equally invisible heavens, leaving the corporeal form undeservedly neglected.”