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Quote by Anjan Sundaram

“The endeavor of being a foreign correspondent means that you will never be their equal. And that has its pros and cons. Were you to be an insider in a particular society, then you would be one of them, and the way you would write about that society would be very different. When you're brought up in a certain way, you have certain blind spots to the things going on in your culture. There is an illumination the outsider brings to a place or a situation that cannot be duplicated.”

Quote by Anjan Sundaram

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Anjan Sundaram

Anjan Sundaram is a journalist, with his exact birth and death dates unknown. more

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“The first victim in journalism today is proximity. I know I've used that word a lot. Because of foreign budgets, newspapers have consolidated, and journalists now cover dozens of countries at a time. It is physically not possible for one person to understand and live the unique sets of experiences in all these places in honest and meaningful ways. Outlets used to send journalists to places like Congo for months at a time, and they were stationed there for months or years. There was a sense of immersive reporting, and that has been a casualty of the shift in news over the past years.”

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“I actually dislike, more than many people, working through literary allusion. I just feel that there's something a bit snobbish or elitist about that. I don't like it as a reader, when I'm reading something. It's not just the elitism of it; it jolts me out of the mode in which I'm reading. I've immersed myself in the world and then when the light goes on I'm supposed to be making some kind of literary comparison to another text. I find I'm pulled out of my kind of fictional world, I'm asked to use my brain in a different kind of way. I don't like that.”

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“I think whatever we've done as a band at The Clientele, we've done because it's so natural. Our "old" sound isn't really like any actual bands from old times. We take elements of past music styles and past sounds as a way to... this is going to sound very pretentious and perhaps overly thought-out, but as a way to strike chords of vague nostalgia, and strike chords of, "I've heard this before somewhere." That's what a lot of our music is about in terms of the words and ideas behind it, so we really use old sounds as a way to serve that agenda.”

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“There questions of wanting to be an artist, and what does that mean, what makes you an artist? Are you an artist if you're in a gallery in New York and not an artist if you're doing it at home? Do you need legitimation to count? If you've been acculturated to believe that you have certain obligations - familial, social, human - if multitasking has been your forte and that's what's been praised and rewarded, where do you find the single-mindedness, the selfishness to do something like art? I think those are questions that arise differently for women and for men.”

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