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Quote by Tim Farrington

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The Monk Downstairs

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Tim Farrington
Tim Farrington

Tim Farrington, born on March 18, 1957, is of an unknown profession category. His life experience and contributions are not yet clear. more

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“The world of reality exists. The world of fantasy exists. The great boundary between the world of reality and the world of fantasy is the boundary of pleasure and fallacy. So many people enter into the world of realities through the the gate of betrayal and pain of the world of fantasies. If you live in the world of fantasies, ponder!If you live in the world of realities, learn and use your lessons.”

“I knew he and Tamlin were different. Knew that Rhysand's protective anger tonight had been justified, that I would have had a similar reaction. I'd been bloodthirsty at the barest details of Mor's suffering, had wanted to punish them for it. I had known the risks. I had known I'd be sitting in his lap, touching him, using him. I'd been using him for a while now. And maybe I should tell him I didn't... I didn't want or expect anything from him. Maybe Rhysand needed to flirt with me, taunt me, as much for a distraction and sense of normalcy as I did. And maybe I'd said what I had to him because... because I'd realised that I might very well be the person who wouldn't let anyone in. And tonight, when he'd recoiled after he'd seen how he affected me... It had crumpled something in my chest. I had been jealous- of Cresseida. I had been so profoundly unhappy on that barge because I'd wanted to be the one he smiled at like that. And I knew it was wrong, but... I did not think Rhys would call me a whore if I wanted it- wanted... him. No matter how soon it was after Tamlin. Neither would his friends. Not when they had been called the same and worse. And learned to live- and love- beyond it. Despite it. So maybe it was time to tell Rhys that. To explain that I didn't want to pretend. I didn't want to write it off as a joke, or a plan, or a distraction. And it'd be hard, and I was scared and might be difficult to deal with, but... I was willing to try- with him. To try to... be something. Together. Whether it was purely sex, or more, or something between or beyond them, I didn't know. We'd find out. I was healed- or healing- enough to want to try. If he was willing to try, too. If he didn't walk away when I voiced what I wanted: him. Not the High Lord, not the most powerful male in Prythian's history. Just him. The person who had sent music into that cell; who had picked up that knife in Amarantha's throne room to fight for me when no one else dared, and who had kept fighting for me every day since, refusing to let me crumble and disappear into nothing. So I waited for him in the chilled, moonlit garden. But he didn't come.”

“Helen slowly became aware of an unnerving red light. She lifted her head and looked around. The glow bounced off the cold stone walls and intensified quickly. It filled her with thoughts of despair and hopelessness. She tried to shake them off. You have what’s mine! Where is it? I want it! Helen shuddered violently. She recalled the inner voice that urged her to use the stone to keep Prince Harnak from dying. That voice was comforting and encouraging. This voice was oppressive and angry and beat on her relentlessly. “No!” she muttered. “Go away. I have nothing for you or anyone else, not even me.” The red light flickered out. Only the numbing cold and her utter isolation, cheerless companions, remained.”

“Women, he would say, are not Muses. Muses are Muses. To confuse one with the other is to mistake the Devouring Void for the Seminal Light. Earthly Women and the Muses are ancient, sworn enemies. The battlefield is the Creative Male. On the one side is the encampment of Discordia, of Diana, of Venus located in his Heart and in his Groin. On the other is the Bastion of Calliope, Clio, Erato, Euterpe, Melpomene, Polyhymnia, Terpsichore, Thalia and Urania, in his Brain and in his Mind. The Muses are tolerant and understanding of border raids, skirmishes, and harassing maneuvers. Throughout the history of the Male Light, there have been few painters, few writers, who have not had a She Who Must Be Accommodated. For some it was their mothers. For many their wives, their mistresses, their girlfriends. For many it was their daughters, a favourite waitress, a stripper, a whore. To the Muses, they are all one. Mother, whore, wife, daughter, stripper, waitress, mistress, girlfriend.”