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Quote by Neil Gaiman

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Smoke and Mirrors: Short Fiction and Illusions

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Author

Neil Gaiman
Neil Gaiman

Neil Gaiman, born on November 10, 1960, is a renowned British author. His works span across various genres including fantasy, horror, and science fiction, with notable titles such as 'American Gods' and 'Good Omens'. Gaiman's writing style is distinctive and has won him a dedicated fan base. more

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“Live your life in real time -- live and suffer directly on-screen. Think in real time -- your thought is immediately encoded by the computer. Make your revolution in real time -- not in the street, but in the recording studio. Live out your amorous passions in real time -- the whole thing on video from start to finish. Penetrate your body in real time -- endovideoscopy: your own bloodstream, your own viscera as if you were inside them. Nothing escapes this. There is always a hidden camera somewhere. You can be filmed without knowing it. You can be called to act it all out again for any of the TV channels. You think you exist in the original-language version, without realizing that this is now merely a special case of dubbing, an exceptional version for the `happy few'. Any of your acts can be instantly broadcast on any station. There was a time when we would have considered this a form of police surveillance. Today, we regard it as advertising.”

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“Everywhere power has to be seen in order to give the impression that it sees. But this is not the case. It doesn't see anything. It is like a woman walled up in a 'peepshow'. It is separated from society by a two-way mirror. And it turns slowly, undresses slowly, adopting the lewdest poses, little suspecting that the other is watching and masturbating in secret. The metro. A man gets on - by his glances, gestures and movements, he carves out a space for himself and protects it. From that space, he sets his actions to those of the neighbouring, approximate molecules. He becomes the centre of a physical pressure, sniffs out hostile vibrations and emanations, or friendly ones, on the verge of panic. He joins up with others out of fear. He innervates his whole body with a calculated indifference, wraps himself in a superficial reverie, created only to keep others at a distance. He deciphers nothing, protects himself from the crossfire of everyone's gazes and sets his own as a backhand down the line, staring at a particular face at the back of the carriage until the very lightness of his stare stirs the other in his sleep. When the train accelerates or brakes, all the bodies are thrown in the same direction, like the shoals of fish which change direction simultaneously. The marvellous underwater lethargy of the metro, the self-defence of the capillary systems, the cruel play of vague thoughts - all while waiting for the stop at Faidherbe-Chaligny. The crucial thing is not to have sweeping views of the future, but to know where to plant your primal scene. The danger for us is that we'll keep running up against the wall of the Revolution. For this is the source of our misery: our phobias, our prohibitions, our phantasies, our utopias are imbedded in the nineteenth century, where their foundations were laid down. We have to put an end to this historical coagulation. Beyond it, all is permitted. It will perhaps be the adventure of the end of the century to dissolve the wall of the Revolution and to plunge on beyond it, towards the marvels of form and spirit.”

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“The world is undergoing a movement toward authoritarianism, Delaney, and this is about order. People think the world is out of control. They want someone to stop the changes. This aligns perfectly with what the Every is doing: feeding the urge to control, to reduce nuance, to categorize, and to assign numbers to anything inherently complex. To simplify. To tell us how it will be. An authoritarian promises these things, too.”

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“By comparison with our ideas of liberation, emancipation and individual autonomy, which exhaust themselves chasing their own shadows, how much more subtle, and proud at the same time, is the idea, which still survives in oriental wisdom, that someone else has control over your life, is planning it, determining it, satisfying it, according to the terms of an electoral pact by which you agree to stand down, when things are going against you, from something which, in any case, does not belong to you and which it is much more pleasant to enjoy without constantly having to take responsibility for it at every waking moment. There is nothing to prevent you, in return, from looking after someone else’s life—something people are often more skilled at than looking after their own—and so on, from one person to the next, with each of us being relieved of the burden of living, truly free and no longer exposed to their own madness, but only to the ritual or romantic intervention of the other in the process of their own life. The ultimate achievement is to live beyond the end, by any means whatever.”

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“In the end, all of this comes from the desire to be Nothing and to be looked at as such. There are two manners of disappearing: either we demand not to be seen (this is the current problem concerning image rights), or we immerse ourselves in the delirious exhibitionism of its nullity. We make ourselves nothing, a loser, in order to be seen as nothing - the ultimate protection against the necessity of existing and the obligation of being one’s self. It is from this that we get the simultaneous contradictory situation of not being seen and being perpetually visible. Everyone wants it both ways, and no legislation or ethics can get to the bottom of this dilemma - the unconditional right of being able to view and at the same time to not be viewed in return. Complete information access is part of human rights and with it we also find a forced visibility and over-exposure to the lighting of information.”

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“For months the previous year she had monitored message boards for suggestions of terrorist activity, and while she'd never entirely thrown off the suspicion that every other poster she encountered was an undercover cop, she'd grown used to eavesdropping on tin-hat conversations, from how the government was controlling the weather to the thought-experiments carried out on anyone who rang HMRC helplines. And all of these philosophers, without exception, were convinced they were under surveillance, their every online foray or mobile chat recorded and stored for future use. That this was probably true was an irrelevance, of course; they were simply caught in the same net as everyone else. Louisa had never trapped a terrorist; never stopped a bomb. She'd read it lot of discussions about 9/11, obviously, but contributions from structural engineers had been conspicuous by their absence. And while the helpline thing wag probably true, that was just the law of averages at work.”

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