“I wouldn't be who I am without my husband, who handled the business end of Donna Karan so I could be creative.” Quote by Donna Karan
“It was easy for me to show the films to the studio and the network and say, "This is who I'm hiring."” ShowsFilmEasyStudiosHiring Author:Ava DuVernay
“[ Hollywood] is a patriarchy, headed by men and built for men.” MenBuiltHollywoodPatriarchy Author:Ava DuVernay
“To pretend like Hollywood is anything other than that is disingenuous. #OscarsSoWhite is trendy, but for women filmmakers and filmmakers of color, it's not a trend. This is our reality, and it's important that we do something to change it.” ImportantRealityColorHollywoodFilmmakerTrendsTrendyDisingenuous Author:Ava DuVernay
“We have to find new ways to work without permission, new ways to turn corners and go through doors that are closed off to us to create our own audiences and our own material independently.” WayTurnsAudienceDoorsMaterialsCornersNew WaysPermission Author:Ava DuVernay
“I always thought that the location of this film [Girl In The Train] was on the train and inside her imagination, and her loneliness and her gaze out the window.Although it was set in England, it didn't feel to me like an overly English book. In terms of the use of cultural references, it was not extreme, so it was very simple to go from England to America in the adaptation.” FeelsBookUseAmericaFilmGirlTermImaginationSimpleLonelinessWindowEnglandTrainExtremesLocationAdaptation Author:Erin Cressida Wilson
“I really needed to dramatize and clarify that Rachel was taking strides towards her own healing and her own sobriety - and that she was actually thoroughly frightened about what she may have done.This was something that was so beautifully done in the book [The Girl on the Train] through inner monologue, but I couldn't just have a whole film filled with inner monologues. So going to Alcoholics Anonymous was a very simple solution to that problem.” MayBookDoneWholeProblemFilmGirlSimpleHealingNeededSolutionsFilledTrainFrightenedAlcoholicsSobrietyStrideMonologuesAlcoholics AnonymousSimple Solutions Author:Erin Cressida Wilson
“It's what you do when you have Allison Janney.My jaw-dropped at her performance. You think that part is sort of a regular part until she steps into the shoes of the officer. She just filled it with such dimension and by giving her the whole shebang, the whole police thread, I think it was the right choice.” ThinkingGivingWholeChoicesStepsPerformancesPoliceFilledShoesDimensionsOfficersThreadRight ChoicesAllison Author:Erin Cressida Wilson
“I needed to enhance the outward threat to Rachel.In the book [Girl on the Train], her inner threat is so strong; the fear of herself and her inability to remember and the false memories. In the film [Girl on the Train]I wanted to increase the exterior threat. So that's why Allison's part was bigger and was an important part of the climax of the film.” ImportantBookWantedRememberFilmGirlStrongMemoriesNeededBiggerIncreaseTrainThreatInabilityExteriorClimaxAllison Author:Erin Cressida Wilson
“I wanted to keep the complexity of the female experience in the film as much as it is in the book, and the subject of not wanting a child is a very interesting subject, one that's not dealt with very much actually.However that complexity was not serving the story of what became the film [The Girl on the Train].” ChildrenBookStoriesWantedFilmGirlInterestingSubjectsFemaleTrainComplexityServingVery Interesting Author:Erin Cressida Wilson
“I really wanted Rachel [from the Girl on The Train] to be purely fixated on fantasy and on her ex-husband.I didn't want her to be embarking on romance, touching people; I wanted her purely in the realm of fantasy and frustration and dreaming and sadness.” PeopleWantDreamWantedRomanceGirlFantasySadnessHusbandTrainRealmsFrustrationTouchingExesEx HusbandEmbarking Author:Erin Cressida Wilson