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Quote by Mamoru Hosoda

“Usually, people tend to see someone on the surface and think that that's who that person is.”

Quote by Mamoru Hosoda

Author

Mamoru Hosoda is a highly respected Japanese film director whose animated films frequently delve into themes of family, friendship, and the human experience. Born in September 1967, Hosoda has made a substantial impact on the animation industry with his distinctive storytelling and artistic vision. more

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“I think the inner and outer aspects of the self together make one person.”

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“People who are open about their own faults, especially, often want to ferret out "inner feelings" beneath the surface and expose any falsehood, and they think that it's in their inner feelings that the truth lies. But I don't think that's the truth.”

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“People have two sides, and a person first becomes appealing when you discover both of those sides - and worlds work exactly the same way.”

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“We are on the verge of losing the traditional idea of the family, especially in Japan, where the declining birth rate shows no signs of stopping. This is precisely why I think we should consider with a sense of urgency what the new image of "family" should be like, and not fall into the nostalgism that days gone by were just better.”

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“I was deliberately trying to express how possible it might be for unmarried men and adults not blessed with biological children to become "fathers of choice." In an old-fashioned, traditional world, this might not matter. But I think that it's probably going to become terribly relevant as time goes on.”

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“I think of movies as depicting moments of change. Change is growth, and that change also possesses the same dynamism that movies do.”

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“It struck me that when we read picture books to children, we parents, and people as a whole, do not appear in them very much, and that they are more constructed to be a world of children and animals.”

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“I do not draw any of the pictures for my movies as an animator. The reason for that is that I am terribly lucky to have many staff members who I look up to, and who are overflowing with talent, that work with me on each project.”

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“As far as CGI and hand-drawn animation, I consider them both nothing more than tools for drawing pictures, the same as crayons or oils. Which is why, to me, the most important thing is what it is you are drawing, and in the themes that I depict, I think hand-drawing is the most effective.”

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