“I always think the novelist should go to the culture's dark places and poke around. Pose a lot of hard questions.” Quote by Dana Spiotta
“Tell me it's forbidden, unthinkable, and that's where I want to go. Because the chances are it's complicated, and the complications are meaningful.” WantChanceComplicatedMeaningfulForbiddenChances AreUnthinkableComplication Author:Dana Spiotta
“I don't feel sentimental about the past, but I can't help noticing how hard it has become to keep a grip on anything. Maybe it's the totalizing impact of corporate culture, maybe it's the atomizing impact of technology.” FeelsI CanHardHelpingPastCultureTechnologyImpactCorporateSentimentalNoticingCorporate Culture Author:Dana Spiotta
“I think there's a lot to be learned from pop culture. But at the same time I see the dangers of using it in an exclusive way to construct meaning in your life.” ThinkingWayCultureDangerPopsConstructsExclusivePop Culture Author:Dana Spiotta
“Most human things are full of conflict and ambivalence, not ease and simplicity. The world has grown increasingly fundamentalist, and the parameters of discussion have become narrowed. People, when they're fearful, are vulnerable to certainty in rhetoric.” PeopleWorldHumansConflictSimplicityVulnerableCertaintyEaseDiscussionFearfulRhetoricFundamentalistParametersAmbivalence Author:Dana Spiotta
“For me writing is an organic process that starts with engaging the language and then thinking about the structure of the novel as you move along. Especially in revision you start to notice correlations. Things come up, not self-consciously, because you're busy feeling your way through sentences and trying to push the language into new places.” ThinkingWayWritingTryingSelfFeelingsMovingLanguageProcessNovelStructureBusyCome UpSentencesEngagingRevisionCorrelationNew Places Author:Dana Spiotta
“Each character requires different language, and these issues become inseparable. You have all these balls in the air: language, character, narrative. For me, the primary focus must be words, sentences, paragraphs.” DifferentCharacterLanguageIssuesFocusAirBallsSentencesPrimariesNarrativeInseparableParagraphDifferent Languages Author:Dana Spiotta
“If you directly try to write about an idea, it will never be what you imagined. But if you're imagining through the building of sentences, through the characters, and paying attention to avoid ease and comfort yet still thinking about making the sentences work, you will get a shot at some real interesting stuff.” IfsThinkingWritingTryingStillsIdeasRealCharacterStuffInterestingAttentionBuildingComfortShotsSentencesPay AttentionEaseInteresting Stuff Author:Dana Spiotta
“You're trying to make the language work, and your subconscious is being allowed to make the deeper, more profound connections. It's much better than going at it all frontally. But you can't conjure it in an intellectual way; it has to come out of another engagement, a more intuitive engagement. Revision is where the intellectual, analytical work happens. At least for me.” WayTryingHappensLanguageIntellectualConnectionsProfoundDeeperEngagementSubconsciousIntuitiveRevision Author:Dana Spiotta
“I think there's a false division people sometimes make in describing literary novels, where there are people who write systems novels, or novels of ideas, and there are people who write about emotional things in which the movement is character driven. But no good novels are divisible in that way.” PeopleThinkingWayWritingIdeasSometimesCharacterNovelMovementEmotionalDrivenDivisionDescribingEmotional Things Author:Dana Spiotta
“There are lots of authentic, moving characters in so-called systems novels, just as there are certainly deep structural ideas in some character-driven novels.” IdeasCharacterMovingNovelDriven Author:Dana Spiotta