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Quote by Ty Burrell

“It's the opposite on a sitcom. People crave the character to not learn from their mistakes. They want to just see the situation, and then see how that character is going to react to that particular chaotic catastrophe. That's just my take on it, anyway. I don't really get too hung up on what the future of the show is.”

Quote by Ty Burrell

Author

Ty Burrell, born on August 22, 1967, is an American actor. He gained widespread popularity for his role as Phil Dunphy in the ABC sitcom 'Modern Family', for which he won multiple awards. more

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“I've done animated TV stuff, but I'd never done animated film work, which is much more involved and much more labor intensive. The animators are much more meticulous and detailed. It's just been really fun and really satisfyingly creative.”

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“I was actually really impressed by how many awkward stories we had, ranging from bad haircuts to one guy told us about being on the beach and he threw a Frisbee and it hit a lady in the head. His immediate reaction was to turn and he found a kid next to him and pointed to the kid, it's those kinds of moments. I was really impressed with the volume of fun stories we got to play with. No one was a loser in this game; they were all winners .”

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“It was nerve-wracking [to unleash 'Life of Pi' to the world]. The first show to the journalists, that was the first one, so I was very uptight. Then I felt okay about the reception because we did a press conference with good and friendly questions, although people looked serious. So really, after the show you went to - the premiere - that reception tells me I think the movie worked, so that was a relief. I started to feel deflated.”

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“So there was one point I thought I was gonna lose it, but once I get on something I have to finish it; I just kept persuading them and they turned around. One good thing was the international guys really stood behind this movie, they thought they could support this film. So these guys step up and that's really good, and then they turned around.”

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“Things that don't have a big impact seem to be crucial. Always when you go out to make a movie you have questions, "What if this doesn't work? What if that doesn't work?" you want to cover yourself, you want to bring back enough [footage] so you can do something.”

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