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Quote by John Ruskin

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The seven lamps of architecture

This book delves into the fundamental elements of architectural composition, examining the seven lamps as guiding principles for creating beautiful and functional buildings. more

Author

John Ruskin
John Ruskin

John Ruskin was an influential British art critic, writer, and social critic. Known for his profound insights into art, architecture, and social issues, he had a significant impact on the aesthetics and culture of the Victorian era. more

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“You cannot hammer a girl into anything. She grows as a flower does, she will wither without sun; she will decay in her sheath as a narcissus will if you do not give her air enough; she might fall and defile her head in dust if you leave her without help at some moments in her life; but you cannot fetter her; she must take her own fair form and way if she take any.”

IfsWayGivingDoeEnoughMomentsHelpingMightFormFallGirlGrowsGrowthSunAirFlowerFairsDustDecayHammersFettersNarcissus
Book:Essays and Letters Selected from the Writings of John Ruskin
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“Painting with all its technicalities, difficulties, and peculiar ends, is nothing but a noble and expressive language, invaluable as the vehicle of thought, but by itself nothing.”

EndsLanguagePaintingDifficultyNoblePeculiarVehicleExpressiveInvaluableTechnicalities
Book:The True and the Beautiful in Nature, Art, Morals, and Religion, Selected from the Works of John Ruskin
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“If it is the love of that which your work represents--if, being a landscape painter, it is love of hills and trees that moves you--if, being a figure painter, it is love of human beauty, and human soul that moves you--if, being a flower or animal painter, it is love, and wonder, and delight in petal and in limb that move you, then the Spirit is upon you, and the earth is yours, and the fullness thereof.”

IfsHumansSoulEarthMovingSpiritAnimalWonderTreeFiguresPaintingFlowerDelightPainterHillsLandscapeLimbsFullnessHuman SoulPetalsFigure Painting
Book:Works
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“The sculptor must paint with his chisel; half his touches are not to realize, but to put power into, the form. They are touches of light and shadow, and raise a ridge, or sink a hollow, not to represent an actual ridge or hollow, but to get a line of light, or a spot of darkness.”

LightFormRealizingLinesHalfDarknessShadowRaisesPaintSpotsSculptureHollowSculptorsRidgesLight And ShadowChisels
Book:The seven lamps of architecture
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