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Quote by Timothy O'Donnell

“My favorite piece of tech gear is my SRM power meter. It's the most accurate power meter on the market.”

Quote by Timothy O'Donnell

Author

Timothy O'Donnell

Timothy O'Donnell is a renowned triathlete. Born on October 1, 1980, he has always been passionate about sports. Over the years, O'Donnell has demonstrated exceptional athletic talent and unwavering determination in his training and competitions. He has achieved significant success in the triathlon field, winning numerous domestic and international races. more

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“My father was a very good amateur pianist, and he had a collection of books on technique. One of the things he had was a small volume of exercises by Rudolf Ganz, in which Ganz mentions the pedagogical work of the Swiss composer, Émile-Robert Blanchet, who wrote a ton of polyphonic exercises for one-hand. These exercises were a great help for finger independence, which I acquired early on. This might have given me somewhat of an edge, a facility to be able to knock any obstacle that was in my way.”

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“The sport is definitely growing, and has become much more competitive. When I started, you were either a former swimmer or runner who took up triathlons. Now, you have a generation of triathletes coming up that started competing at a young age - these are the people that will change the game.”

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“Technology has also had a big impact, especially on the bike. Now everything is tested aerodynamically, wind tunnels are used to optimize performance, and frames, wheels, water bottles are all tested. Even clothing, like my Castelli Stealth Top, is faster than skin.”

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“That is my way of doing things, and I wouldn't necessarily recommend this to anybody else; if you need to do technical exercises, you do them. The whole point of practicing is to get to know yourself, to know your weaknesses and to zero in on them and target them. It's not really about employing anybody else's formulas, because you really have to find what is best for you and what you need.”

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“There's a substantial portion of my recorded repertoire that was learned for the recording sessions, and then basically forgotten. I wouldn't say it's the majority, but it's a fairly good chunk of it.”

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“I don't record for my own glory.I mean, of course part of it is for career advancement, but more importantly, I want some of that repertoire - as much of it as possible - to remain and enter pianists' consciousness and, hopefully, into the standard repertoire.”

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