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Roger Ebert's Video Companion, 1997 Edition

This book serves as a companion to the world of film and television, offering in-depth reviews and insightful commentary from the perspective of the esteemed critic Roger Ebert. Published in 1997, it provides a wealth of information on a wide range of films and television shows, making it a valuable resource for film enthusiasts and casual viewers alike. more

Author

Roger Ebert
Roger Ebert

Roger Ebert was a renowned American film critic, born on June 18, 1942, and passed away on April 4, 2013. Known for his unique style of film criticism and profound insights into the art of cinema, he served as a film critic for the Chicago Sun-Times and founded the influential film review website RogerEbert.com. more

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“The ability of so many people to live comfortably with the idea of capital punishment is perhaps a clue to how so many Europeans were able to live with the idea of the Holocaust: Once you accept the notion that the state has the right to kill someone and the right to define what is a capital crime, aren't you halfway there?”

“Crowds can be frightening. They have a way of impressing the low, base taste upon their members. Watching the way thousands of people in his audience could not think for themselves, could not find the courage to allow their ordinary feelings of decency and taste to prevail, I understood better how demagogues are possible.”

“This sucks on so many levels." Dialogue from "Jason X" Rare for a movie to so frankly describe itself. "Jason X" sucks on the levels of storytelling, character development, suspense, special effects, originality, punctuation, neatness and aptness of thought.”

“Immortals is without doubt the best-looking awful movie you will ever see. Eiko Ishioka's costume designs alone deserve an Oscar nomination. "They weren't at all historically accurate," grumbled a woman in the elevator after the sneak preview, as if lots of documentation exists about the wardrobes of the gods. She added: "I guess that's what we deserve for using free tickets we got at a Blackhawks game.”

“Pearl Harbor is a two-hour movie squeezed into three hours, about how on December 7, 1941, the Japanese staged a surprise attack on an American love triangle. Its centerpiece is 40 minutes of redundant special effects, surrounded by a love story of stunning banality. The film has been directed without grace, vision, or originality, and although you may walk out quoting lines of dialog, it will not be because you admire them.”