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Quote by Elizabeth Hardwick

“The social world of Ibsen’s plays is greatly restricted, enclosed in a narrow frame, cut off by the very geography of Norway; the long, dark winters make for social repetition…Everyone else you know is right there, so to speak. This small-town life has moral consequences always; the players live with the threat of trouble over the most petty matters.”

Quote by Elizabeth Hardwick

Work

Seduction and Betrayal

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Author

Elizabeth Hardwick
Elizabeth Hardwick

Elizabeth Hardwick was an American novelist known for her profound psychological insights and portrayals of the female experience. Her works often explore love, marriage, and art, and how these themes affect individuals and society. more

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“This is not a conspiracy theory; it doesn’t have to be. Societies tell themselves necessary fictions in the same way that individuals and families do. Henrik Ibsen called them “vital lies,” and psychologist Daniel Goleman describes them working the same way on the social level that they do within families: “The collusion is maintained by directing attention away from the fearsome fact, or by repackaging its meaning in an acceptable format.” The costs of these social blind spots, he writes, are destructive communal illusions. Possibilities for women have become so open-ended that they threaten to destabilize the institutions on which a male-dominated culture has depended, and a collective panic reaction on the part of both sexes has forced a demand for counterimages.”

“[...] og at han la særlig vekt på å gjennomgå Ibsens dramaer med sine elever, da var det den andre kunne si: Ja, Ibsen, ja, han ligger nok for høyt for meg, eller: Nei, du vet, jeg har aldri kommet til å interessere meg for litteratur, og i dette lå det en beklagelse, og den var ikke deres egen, for de var jo så lite interessert i litteratur og Ibsens dramaer at de ikke så noen grunn til å beklage det, hva i himmelens navn var det de skulle beklage, for sin egen del? Nei, det var som samfunnsmennesker de fant det nødvendig å uttrykk denne beklagelse, altså beklagelse som et nødvendig uttrykk for den dannelse ethvert sivilisert samfunn søker å gi sine borgere, og som det, som man ser, i dette tilfellet hadde lykkes med. At enkle samtaler mellom gamle kjente som tilfeldigvis treffes etter noen år, arter seg slik, og ikke på stikk motsatt vis, på dette bygger et hvert sivilisert samfunn sine fundamenter, hadde han ofte tenkt, ikke minst i de siste åra.”

“[honest and talented American employees] spend so much time in mediocre meetings listening to superficial ideas presented by the powerful few at every workplace. Their hearts and minds are constantly agonizing as they see the mediocrity of the powerful few being praised by circles of cheerleaders found in most workplaces. The cheerleaders are usually there for the paycheck, and they do a great job in making mediocrity be mistaken for creativity and innovation.”

“The third person. There was no sign of this happiness on the outside, she knew. She was bored by this happiness that seemed out of place, impatient to get rid of it. The feeling was less pleasurable than she had imagined it might have been, less well-defined, and when she felt along its strings she found it was not easily traced or attached to the objects she thought it might have been attached to. Perhaps it was not attached to anything at all.”

“Even the darkest storms in our lives carve paths to our destinies, for every trial, every tear, and every stumble shapes the contours of who we become. These hardships, though painful, are not mere obstacles; they are the unseen architects of our strength, wisdom, and purpose, guiding us toward futures we could not have imagined.”