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Quote by Robert Mangold

“I am attracted to generic or 'industrial' colours; paper bag brown, file cabinet gray, industrial green, that kind of thing.”

Quote by Robert Mangold

Author

Robert Mangold
Robert Mangold

Robert Mangold (born October 12, 1937) is an American contemporary painter renowned for his minimalist abstract works. His art features geometric shapes, muted colors, and precise lines, exploring balance between form and space. Emerging in the 1960s, Mangold is closely associated with the Minimalist movement but emphasizes the flatness and internal structure of painting. Over decades, his works have been collected by major museums worldwide, including the Museum of Modern Art in New York and Tate Modern in London. Mangold's influence on contemporary painting is significant, making him a key figure in abstract art. more

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“Your rainbow panorama enters into a dialogue with the existing architecture and reinforces what is assured beforehand, that is to say the view of the city. I have created a space which virtually erases the boundaries between inside and outside – where people become a little uncertain as to whether they have stepped into a work or into a part of the museum. This uncertainty is important to me, as it encourages people to think and sense beyond the limits within which they are accustomed to moving.”

“I have worked to free shape from its ground, and then to work the shape so that it has a definite relationship to the space around it; so that it has a clarity and a measure within itself of its parts (angles, curves, edges and mass); and so that, with color and tonality, the shape finds its own space and always demands its freedom and separateness.”

“Everything that I saw became something to be made, and it had to be exactly as it was, with nothing added. It was a new freedom: there was no longer the need to compose. The subject was there already made, and I could take from everything. It all belonged to me: a glass roof of a factory, with its broken and patched panels, lines on a road map, a corner of a Braque painting, paper fragments in the street. It was all the same: anything goes.”

“The form of my painting is the content. My work is made of single or multiple panels: rectangle, curved, or square. I am less interested in marks on the panels than the 'presence' of the panels themselves. In Red Yellow Blue III the square panels present color. It was made to exist forever in the present; it is an idea and can be repeated anytime in the future.”