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Richie Norton

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“I told him I was going to betray you, and betray Lyra, and he believed me because I was corrupt and full of wickedness.... I wanted him to find no good in me and he didn't. There is none. But I love Lyra. Where did this love come from? I don't know; it came to me like a thief in the night, and now I love her so much my heart is bursting with it. All I could hope was that my crimes were so monstrous that the love was no bigger than a mustard seed in the shadow of them, and I wished I'd committed even greater ones to hide it more deeply still...”

“Fíjate que nunca he podido acabar una novela rusa. Son tan trabajosas… Aparecen millares de tipos y al final resulta que no son más que cuatro o cinco. Pero claro, cuando te empiezas a orientar con un señor que se llama Alexandre, luego resulta que se llama Sacha y luego Sachka y luego Sachenka, y de pronto algo grandioso como Alexandre Alexandrovitch Bunine y más tarde es simplemente Alexandre Alexandrovitch. Apenas te has orientado, ya te despistan nuevamente. Es cosa de no acabar: cada personaje parece una familia. No me vas a decir que no es agotador, mismo para ti.”

“Disgusting foods, as Madame de Pompadour discovered, do not arouse the senses. They only dull them. Seduction, as you know by now, for women starts with the ears and for men starts with the eyes and for both, travels directly to the stomach. Some say you need sweet murmurings in the ears, but I say laughter, intrigue and delicacies are more powerful.”

“Death is only ever that free future we dream of when we put off everything and consign all things to their future occurrence. Objectively, the world is an illusion: it can only appear to us. Subjectively, it is the opposite: we regard it spontaneously as real. But one may propose the opposite: subjectively, the world is an illusion of our senses. Objectively, it has force of reality. Asymptote, clinamen, parallax, metalepsis - these are dance patterns, this is a whole non-linear geometry of theoretical space. Patterns of near-contact and reversal, of approaching the truth without ever succumbing to it.”