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A Tale for the Time Being

In this thought-provoking narrative, the story intertwines the lives of a young Japanese girl and a Canadian woman living in Tokyo, delving into the complexities of human existence and the impact of the past on the present. more

Author

Ruth Ozeki
Ruth Ozeki

Ruth Ozeki (born March 12, 1956) is an American novelist, filmmaker, and Zen Buddhist priest. Known for works including My Year of Meats (1998), A Tale for the Time Being (2013), and The Book of Form and Emptiness (2021), her novels blend Japanese cultural elements with contemporary American themes. A Tale for the Time Being was nominated for the Man Booker Prize. She combines her practice of Zen Buddhism with her literary and film work. more

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“D.B. asked me what I thought about all this stuff I just finished telling you about. I didn't know what the hell to say. If you want to know the truth, I don't know what I think about it. I'm sorry I told so many people about it. All I know about it is, I sort of miss everybody I told about. Even old Stradlater and Ackley, for instance. I think I even miss that goddam Maurice. It's funny. Don't ever tell anybody anything. If you do, you start missing everybody.”

Holden CaulfieldCatcher In The RyeEnding Lines
Book:THE CATCHER IN THE RYE
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“The fictional exploits of buccaneering men had lost their magic for him. Besides, there were other pirates on view in Tilbury that spring. One, unredeemed by any amnesty, hung from the gibbet at Tilbury Point, tugged at by a brisk breeze off the river. His body had been bound in chains, daubed with tar and encased in a cage, denied Christian burial as a warning to the living of the hideousness of death. It did not have quite that effect on Nathan. "It's Easter," he said to Hardcastle. "A week since," said Hardcastle. "When they went to the tomb to rewrap Christ's body . . ." Harcastle threw Toby in the air and caught him repeatedly, making the child laugh and laugh. ". . . except that it had gone . . ." said Nathan. "Raised to glory," agreed Harcastle, rubbing noses with the baby. ". . . out into the garden." Suddenly it seemed to him that the tarry skull of the pirate on the gibbet might not be shouting a warning after all -- that his decaying corpse might no longer be suffering the torments of the gibbet as his executioners like to suggest with cage and chain and padlock. There were amnesties other than the King's. The man might simply be singing: singing and dancing in the bright, brittle Easter sunshine, held up in midair not by chains but by invisible hands or on invisible shoulders.”

EasterPiratesEnding Lines
Book:The Pirate's Son
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“Bonifácio trombou com os poderosos interesses dos latifundiários e senhores de escravos ao sugerir a constituinte a proibição do tráfico negreiro e abolição gradual da escravidão no Brasil. Seu projeto, que nem chegou a ser apresentado, compunha-se de um preâmbulo com 22 páginas e 32 artigos intitulado "Representação à Assembleia Constituinte e Legislativa do Império do Brasil sobre a escravatura". Dois anos mais tarde, já no exilio em Paris, Bonifácio explicaria a razão da proposta: "A necessidade de abolir o comércio de escravatura, e de emancipar gradualmente os atuais cativos é tão imperiosa que julgamos não haver coração brasileiro tão perverso, ou tão ignorante que a negue, ou desconheça. (...) Qualquer que seja a sorte futura do Brasil, ele não pode progredir e civilizar-se sem cortar, o quanto antes, pela raiz este cancro moral, que lhe rói e consome as ultimas potências de vida, e que acabara por lhe dar morte desastrosa." ... O Brasil era escravagista e assim permaneceria por mais 66 anos, até a assinatura da lei Áurea em 1888.”

EscravidãoEscravaturaBonifacioFundador Do Brasil
Book:1822
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