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Quote by Lucia Puenzo

“Wakolda or The German Doctor is a very intimate story. It is the story of a teenage girl and the way she falls in love with a monster. It is the story of a hunt and of a seduction.”

Quote by Lucia Puenzo

Author

Lucia Puenzo
Lucia Puenzo

Lucia Puenzo (born November 28, 1976) is an Argentine author, film director, and screenwriter. She is best known for her novel "The Curse of the Fish" and the film "XXY," which explore themes of gender, identity, and marginalized communities. Born in Buenos Aires, she graduated from the National Film Institute of Argentina. Her work blends literature and cinema, earning international acclaim and awards. more

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“In the case of my second film The Fish Child (El Niño Pez), I had written the novel about 5 years before I made into a film. In the case of The German Doctor I had published the novel a year before I started writing the script, I even had another project to shoot. But I had this idea of the powerful cinematic language from the novel that I couldn't let go of.”

“Much more than trying to focus on the battlefield of the war, it was the central place that German doctors occupied within Nazism, the omnipotent and insane idea of wanting to generically modify an entire nation. This idea was not on the outskirts of Nazi ideology, it was the heart of movement, that's what intrigued me. Mengele is the most extreme expression of this idea.”

“When I wrote Wakolda at first I wasn't conscious that I was writing about something so close to or that had so many similar elements with XXY. It was just after I was done writing that I noticed it. I think both teenagers in each film have many similarities, and Mengele is the extreme version of the plastic surgeon in XXY. Both stories definitely have several ideas connecting them.”

“I think that even though The German Doctor (Wakolda) is placed in a historical context , it is a very intimate story. The film has been extremely well received around the world. It keeps on going around, opening in different markets, and connecting with the audience. In Argentina it was seen by over 450, 000 spectators, which is way more than anything we could have imagined.”