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Quote by Michelle Alexander

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The New Jim Crow: Mass Incarceration in the Age of Colorblindness

This book critically examines the impact of mass incarceration on African Americans, arguing that it constitutes a new form of racial segregation and discrimination in the United States. more

Author

Michelle Alexander
Michelle Alexander

Michelle Alexander is a distinguished professor of law at the University of California, Berkeley. Born on October 7, 1967, she is recognized for her expertise in criminal justice and civil rights. Alexander has authored numerous articles and books on the subject of mass incarceration in the United States and its effects on African American communities. more

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“The people of Earth cannot progress in isolation from each other. The family unit, community spirit, and society as a whole are fragmenting at alarming rates as we sit inert behind our devices and social media. Fear of cultural appropriation inhibits the inspiration necessary for others to create new things. We must build on the towering achievements of all those who have gone before us. Then, by pooling our resources, regardless of race, colour, creed, gender, sexuality, or physical ability, we ensure that our legacy is a rich inheritance for all those yet to be born.”

CommunityHuman RaceIsolationInheritanceSociety HumanityFuture GenerationsCultural AppropriationLegacy Life LessonsPooling Resources
Author:Stewart Stafford
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“Now, let me preface this story with the following: If you think that I am in any way endorsing cultural appropriation by writing this, you should just stop reading. I swear to Goddess,* if I hear about any one of you reading this passage and deciding, “Okay, yeah, great, the moral of this story is that Jacob thinks it’s awesome for white people to dress up as Native Americans for Halloween, so I’m gonna go do that,” I will use the power of the internet to find out where you live and throw so many eggs at your house that it becomes a giant omelet. Or if you’re vegan, I will throw so much tofu at your house that it becomes a giant tofu scramble. The point of this passage is not that white people should dress their children as Native Americans for Halloween. That’s basically the opposite of the point here. Capisce? All that being said, it was 1997. I was six years old and hadn’t quite developed my political consciousness about cultural appropriation or the colonization of the Americas and subsequent genocide of Native American people at the hands of white settlers yet. I also didn’t know multiplication, so I had some stuff to work on. What I did know was that Pocahontas was, by far, the most badass Disney princess. Keep in mind that Disney’s transgender-butch-lesbian masterpiece Mulan wasn’t released until a year later, or else I would’ve obviously gone with that (equally problematic) costume.”

Cultural DiversityWhite PrivilegeCultural AppropriationNative American Genocide
Book:Sissy: A Coming-of-Gender Story
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“...Sabina [was] onto something about mehendi not being tantamount to temporary tattoo, and how it's been appropriated by Western capitalist culture. But the mehendi originated in Africa, and so India appropriated it from a people of color as well, according to Upma, and thus we shouldn't wear jeans or listen to Queen, then. But Freddie Mercury was Indian, Sabina pointed out, Parsi, and plus, half of these things are made in India anyways if you check the tags. Somehow eventually arriving at: Whatever it was, why did a white girl have to wear it before it was regarded as cool?”

Cultural Appropriation
Book:Born Confused
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“What would our debates about fiction look like, I sometimes wonder, if our preferred verbal container for the phenomenon of writing about others was not 'cultural appropriation' but rather 'interpersonal voyeurism' or 'profound-other-fascination' or even 'cross-epidermal reanimation'? Our discussions would still be vibrant, perhaps even still furious—but I’m certain they would not be the same. Aren’t we a little too passive in the face of inherited concepts? We allow them to think for us, and to stand as place markers when we can’t be bothered to think. What she said. But surely the task of a writer is to think for herself! And immediately, within that bumptious exclamation mark, an internal voice notes the telltale whiff of baby boomer triumphalism, of Generation X moral irresponsibility …. I do believe a writer’s task is to think for herself, although this task, to me, signifies not a fixed state but a continual process: thinking things afresh, each time, in each new situation. This requires not a little mental flexibility. No piety of the culture—whether it be 'I think therefore I am,' 'To be or not to be,' 'You do you,' or 'I contain multitudes'—should or ever can be entirely fixed in place or protected from the currents of history. There is always the potential for radical change.”

FictionNovelsCultural AppropriationFascinated To Presume
Author:Zadie Smith
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“Reading seems to be easier to defend than writing. Writing is a far larger act of presumption. Sensing this, we seek to shore up the act of writing with false defenses, like the dubious idea that one could ever be absolutely “correct” when it comes to representing fictional human behavior. I understand the desire—I have it myself—but what I don’t get is how anyone can possibly hope to achieve it. What does it mean, after all, to say “A Bengali woman would never say that!” or “A gay man would never feel that!” or “A black woman would never do that!”? How can such things possibly be claimed absolutely, unless we already have some form of fixed caricature in our minds? (It is to be noted that the argument “A white man would never say that!” is rarely heard and is almost structurally unimaginable. Why? Because to be such a self is to be afforded all possible human potentialities, not only a circumscribed few.)”

FictionNovelsCultural AppropriationFascinated To Presume
Author:Zadie Smith
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“But on one occasion he was lost for words. 'If it's all as bad as you describe,' asked an inconspicuous young man at the end of one of the lectures, 'then why did you choose to become a Gypsy?' His image of Gypsies had marked them as a mere lifestyle, a fashion, a brand.”

CultureEducationRacismSocial JusticeGypsyCultural AppropriationStereotypingRomaniRomani Gypsies
Book:I Met Lucky People: The Story of the Romani Gypsies
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“Music is like spoken language, inextricable from its culture. If you don't learn a language early in life, its words will forever come out wrinkled and accented by another world, no matter how well you memorize or love the vocabulary, grammar, and cadences of a new language. This is why foreign "belly dancers" have always bothered me. The use of our music as a prop to wiggle and shimmy and jump around offends me. Eastern music is the soundtrack of me..”

CultureCultural Appropriation
Book:Against the Loveless World
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