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The Breakers Series: Books 4-6

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Edward W. Robertson

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“Elinor retreated to the terrace where the night air on her skin felt like a hot bath. She was hurt, it had been such an onslaught. All the things she'd achieved in the past four years, the independent life she'd built for herself, seemed to count for nothing here. The only thing that mattered to her mother was finding a husband. As for painting, well, nice little hobby, very suitable, but you won't have much time for that when the children arrive.”

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“I feel different, better, about my personal life as well as my professional life. So much confidence comes simply because I have reached this very good age. Women my age today are forging new ground. Society stops defining us by our reproductive capacity, sexual attractiveness, or other traditional measures, so we become liberated from stereotype. We are freed to grow into our full selves. I couldn’t have allowed myself to feel so positive in the past. When I was at the height of my film career, I didn’t have the kind of respect I now have from the theatrical community. I hadn’t yet proved that I have the chops for the stage. But now I have a stature I’ve never before enjoyed. Virginia Woolf herself observed that when her Aunt Mary left her enough money to live on, her financial independence meant she “need not hate” or “flatter any man.” She said this was of even more value to her freedom and autonomy than the right to vote.”

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“Tokyo is bigger than Kumamoto. And Japan is bigger than Tokyo. And even bigger than Japan... Even bigger than Japan is the inside of your head. Don't ever surrender yourself ― not to Japan, not to anything. You may think that what you're doing is for the sake of the nation, but let something take possession of you like that, and all you do is bring it down.”

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Book:Sanshirō
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“I know that [civilized men] do nothing but boast incessantly of the peace and repose they enjoy in their chains.... But when I see [barbarous man] sacrifice pleasures, repose, wealth, power, and life itself for the preservation of this sole good which is so disdained by those who have lost it; when I see animals born free and despising captivity break their heads against the bars of their prison; when I see multitudes of entirely naked savages scorn European voluptuousness and endure hunger, fire, the sword, and death to preserve only their independence, I feel it does not behoove slaves to reason about freedom.”

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Book:Discourse on the Origin of Inequality
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“The morning was a wretched time of day for him. He feared it and it never brought him any good. On no morning of his life had he ever been in good spirits nor done any good before midday, nor ever had a happy idea, nor devised any pleasure for himself or others. By degrees during the afternoon he warmed and became alive, and only towards evening, on his good days, was he productive active and sometimes, aglow with joy.”

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“You are a single woman; you intend to remain one. You’ve acquired enough sexual experience to feel you belong to your times. You do not have children; you never intended to. Sustained romantic intensities have not been for you. Your explanation (not an untrue one,though not quite sufficient) is that you have let yourself be shaped by so many conventions, expectations, and requirements (institution’s, people’s), by so much dread of disapproval, that the discipline of solitude—severe solitude—has been required to give you the sense of an independent selfhood. The intensities of friendship suit you better. Friendship’s choreography is for multiple partners: for varied groups and surprisingly sustained duets.”

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“In the twentieth century the women who wanted to be on their own were some of the best, the honest ones, those who instinctively rejected the trash. But here came a tragical dilemma. If they accepted Business and served it, they served the very thing from which they fled, and at best became imitation men. If they rejected Business and lived on allowances or incomes, they were in the anomalous position of hunting with the industrial hounds and running with the agricultural hare. An instinctive sense of this made many of them turn "artist." And so Europe was cluttered up with incompetent women "artists" -- not that a woman is incapable of being an artist, but because the assumed role provided an escape. Either situation was impossible, and the solution is not yet found.”

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Book:Women Must Work
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