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Quote by Laurie R. King

“I could never, I knew then, lose myself "in love." Margery had accused me of coldness, and she was right, but she was also wrong: For me, for always, the paramount organ of passion was the mind. Unnatural, unbalanced, perhaps, but it was true: Without intellect, there could be no love.”

Quote by Laurie R. King

Work

A Monstrous Regiment of Women

This novel delves into the experiences of women during a time when they were often marginalized and oppressed. The story follows a group of women who rise to power and challenge the norms of their era. more

Author

Laurie R. King
Laurie R. King

Laurie R. King is an American author renowned for her detective novels, which often blend historical settings with literary and detective elements. Born in September 1952, King began her writing career in the 1980s. more

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“I know that [civilized men] do nothing but boast incessantly of the peace and repose they enjoy in their chains.... But when I see [barbarous man] sacrifice pleasures, repose, wealth, power, and life itself for the preservation of this sole good which is so disdained by those who have lost it; when I see animals born free and despising captivity break their heads against the bars of their prison; when I see multitudes of entirely naked savages scorn European voluptuousness and endure hunger, fire, the sword, and death to preserve only their independence, I feel it does not behoove slaves to reason about freedom.”

“The morning was a wretched time of day for him. He feared it and it never brought him any good. On no morning of his life had he ever been in good spirits nor done any good before midday, nor ever had a happy idea, nor devised any pleasure for himself or others. By degrees during the afternoon he warmed and became alive, and only towards evening, on his good days, was he productive active and sometimes, aglow with joy.”

“You are a single woman; you intend to remain one. You’ve acquired enough sexual experience to feel you belong to your times. You do not have children; you never intended to. Sustained romantic intensities have not been for you. Your explanation (not an untrue one,though not quite sufficient) is that you have let yourself be shaped by so many conventions, expectations, and requirements (institution’s, people’s), by so much dread of disapproval, that the discipline of solitude—severe solitude—has been required to give you the sense of an independent selfhood. The intensities of friendship suit you better. Friendship’s choreography is for multiple partners: for varied groups and surprisingly sustained duets.”

“In the twentieth century the women who wanted to be on their own were some of the best, the honest ones, those who instinctively rejected the trash. But here came a tragical dilemma. If they accepted Business and served it, they served the very thing from which they fled, and at best became imitation men. If they rejected Business and lived on allowances or incomes, they were in the anomalous position of hunting with the industrial hounds and running with the agricultural hare. An instinctive sense of this made many of them turn "artist." And so Europe was cluttered up with incompetent women "artists" -- not that a woman is incapable of being an artist, but because the assumed role provided an escape. Either situation was impossible, and the solution is not yet found.”

“ماجدوى العقل إذا يارتشارد باركر , ؟ أوظيفته الوحيدة تدبير الأمور العملية فحسب ؟ تأمين الطعام والثياب والمأوى لماذا لا يقدم العقل أجوبة أكبر ؟ ولماذا الأسئلة التي نطرحها تفوق الأجوبة دائماً لماذا الشبكة كبيرة إذا كانت الأسماك قليلة إلى هذا الحد ؟”

“When my mother would tell me that she wanted me to have something because she as a child had never had it, I wanted, or I partly wanted, to give it back. All my life I continued to feel that bliss for me would have to imply my mother's deprivation or sacrifice. I don't think it would have occurred to her what a double emotion I felt. I could hardly bear my pleasure for the guilt. There is no wonder that a passion for independence sprang up in me at the earliest age. It took me a long time to manage the independence, (but) I have never managed to handle the guilt. In the act and the course of writing stories, these are the two springs, one bright, one dark, that feed the stream.”