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Quote by Cassandra Jones

“Male villains have motivations based on flaws in their character constantly and remain likable, but when villainesses have the same impulses, they're lambasted as the most terrible shrews and wretches who ever shew-ed or wretch-ed. Denying women characters the same base impulses as their male counterparts is misogynistic---and boring.”

Quote by Cassandra Jones

Book:Let Her Be Evil
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Let Her Be Evil

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Cassandra Jones

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“I realized that most women in their teens and twenties hadn’t yet experienced one or more of the great radicalizing events of a woman’s life: marrying and discovering it isn’t yet an equal (or even nonviolent) institution; getting into the paid labor force and experiencing its limits, from the corporate “glass ceiling” to the “sticky floor” of the pink-collar ghetto; having children and finding out who takes care of them and who doesn’t; and, finally, aging, still the most impoverishing and disempowering event for women of every race and so the most radicalizing.”

FeminismWomen S RightsEssaysWomen S LiberationRadical Feminism
Book:Doing Sixty & Seventy
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“La vecchiaia femminile nella fiabe è un posto dove nessuna vuole andare. In questo tipo di racconto le donne più anziane, che hanno perso la freschezza di un tempo, sono spesso crudeli e invidiose verso le fanciulle, ancora avvenenti in un mondo dove attirare lo sguardo degli uomini è la massima ambizione per ogni creatura di sesso femminile. La vecchiaia delle donne non è saggia né desiderabile, ma rancorosa e sulla difensiva di fronte alla gioventù altrui. La hellezza e la gioventù vanno in parallelo: la protagonista è sempre incantevole, le donne che la odiano sono brutte e la detestano per questo. La leggenda nera delle donne che sarebbero le peggiori nemiche delle donne si fonda su questi due assunti, ma in realtà ci dice pochissimo delle donne e moltissimo degli uomini che cosí le hanno concepite. Gli autori della fiaba erano infatti maschi e, poiché sono loro a volere per sé belle fanciulle, suppongono che anche le donne non desiderino che soddisfare tale desiderio.”

FeminismFeministSexismFairytales
Book:God Save the Queer: Catechismo femminista
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“Quando leggiamo Cenerentola (e tutte le altre) è utile ricordare che non stiamo guardando le donne come sono, ma come gli uomini di cultura patriarcale le hanno immaginate e forse, in fondo, ancora le immaginano. Le donne di queste fiabe consumano le proprie vite senza orizzonte: lo scenario in cui si muovono è spesso rappresentato dalle quattro mura di un'abitazione. Non le vedremo mai vivere avventure, compiere missioni all'esterno, avere grandi aspirazioni o mirare a compiti sociali: il loro scopo è uscire dalla casa del padre per ri-accasarsi in quella del marito. Se sono sfortunate svolgono le faccende domestiche, se invece sono fortunate sposano un uomo che possa far sgobbare qualcun'altra al posto loro.”

FeminismFeministSexismFairytale
Book:God Save the Queer: Catechismo femminista
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“For many women of color, the mainstream feminist injunction, "Believe women," and its online correlate, "#Ibelieveher", raise more questions than they settle. Whom are we to believe, the white woman who says she was raped or the black or brown woman who insists that her son is being set up? Carolyn Bryant or Mamie Till?”

SexRaceFeminismEthics
Book:The Right to Sex: Feminism in the Twenty-First Century
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“Yet, Black women, in particular, suffer from the stigmatization of Black male sexuality, to which the injunction, "Believe women," too readily gives cover, just as Dalit women suffer specifically from the sexual stigmatization of Dalit men. When we are too quick to believe a white woman's accusation against a Black man, or a Brahmin woman's accusation against a Dalit man, it is Black and Dalit women who are rendered more vulnerable to sexual violence. Their ability to speak out against the violence they face from men of their race or caste is stifled, and their status as counterpart to the oversexed Black or Dalit male is entrenched. In that paradox of female sexuality, such women are rendered "unrapable" and thus "more rapeable". Ida B. Wells patiently documented the lynchings of Black men on trumped-up claims of raping white women. But she also recorded the many rapes of Black women that inspired no lynch mobs and at which little notice was taken. One such case was that of Maggie Reese, an 8-year-old girl raped by a white man in Nashville, Tennessee. The outrage upon helpless childhood needed no avenging in this case: she was Black.”

RaceFeminismEthicsSocial JusticeClass Struggle
Book:The Right to Sex: Feminism in the Twenty-First Century
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“She watches him walk around the room, naked apart from those silly flip-flops he's put on because his feet feel the cold. She marvels at his lack of self-consciousness. He has a good body: tall and broad with a pronounced rump and the mearest hint of a thirty-something pounch, but he appears unaware of his physicality in these moments in way that a woman never would be. A woman, Kate thinks, would be worried about her flabby belly or her wide thighs or the fact that her breasts are more saggy that she'd like and she would assume she was being monitored by the male eyes in the room. Yet Jake treats his body as his own, inhabiting it with confidence. - (Page 277)”

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Book:Magpie
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