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Quote by Frederic Raphael

“Talk isn't work. Work is when you have pages in the evening that you didn't have in the morning.”

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Frederic Raphael is a renowned screenwriter, born on August 14, 1931. His works span across various mediums including film, television, and theater, known for his unique narrative style and profound character development. more

“It's a movie, OK? I went to see GONE WITH THE WIND, but did I really believe there was a guy named Rhett Butler who said, "Frankly, my dear, I don't give a damn"? No. Movies need heroes and villains, and real life doesn't usually have heroes and villains. Real life has a lot of shades of gray, and moves have black and white even when they're in color.”

“I am the same artist with the same nagging questions I had in my early 20's. What's real and what isn't? How do we tell what's real in our lives? How do we see things as they are? What is my role in life? If the Signature hadn't forced the issue by devoting its season to my plays, I could at least believe I had changed. Really, they're all the same! What is SIX DEGREES OF SEPARATION but THE HOUSE OF BLUE LEAVES with money?”

Ifs Believe Real Play Artist House Roles Issues Our Lives Changed Degrees Six Seasons Blue Separation Crafts Signatures Nagging Roles In Life Six Degrees Of Separation

Author:John Guare

“Consider: for all the gobbledegook [film studio] executives spout about backstory, all that we, the audience, want to know is what happens next. That's the only thing that's going on. . . . Character is nothing other than action, and character-driven means The plot stinks, and you'd better hope the star is popular enough to open the movie in spite of it.”

Knows Want Mean Enough Character Happens Action Film Next Stars Audience Studios Driven Crafts Spite Plot Executives Stink

Author:David Mamet

“Obviously VIA DOLOROSA is completely artificial. It is as highly wrought as any of my plays. But basically all the artifice is to disguise itself so you don't feel it's there. You're attempting to make the artifice like a pane of glass that simply leads you through to the subject - not to decorate the bloody glass.”

Feels Play Subjects Glasses Crafts Artificial Bloody Disguise Attempting Artifice

Author:David Hare

“There's this sense of being strange, which is at the heart of every creative person. Every writer, every actor, every director knows who Ripley is. We've made careers and lives out of pretending, making things up, inhabiting other people's stories and lives. That's what I do every day. . . . The story is so audacious and subversive: a central character who behaves badly and isn't apparently caught. That intrigued me no end.”

“Real life has always let me down. That's why I do the monologues. I have always said I would rather tell a life than live a life. But I have to live a life in order to tell one.”

Said Real Order Let Me Real Life Crafts Monologues Let Me Down

Author:Spalding Gray

“What I find interesting is how close you can run the laughter along the seam of seriousness, and occasionally cross it, so that half the house genuinely doesn't know whether to laugh or cry. Custard pie humour is fairly universal, but at the other end, which I'm more interested in, there's the humour that hovers on the darkness, that walks in the shadow of something else, not always that obvious.”

Knows Ends Running House Walks Interesting Half Darkness Laughing Cry Humour Laughter Shadow Crosses Universal Obvious Crafts Pie Seriousness Custard

Author:Alan Ayckbourn

“Regarding pushing the form, ideas interest me more than form. I think you can write a very subversive play in a three-act structure. The content makes the play. I feel the form is simply dressing, because ultimately, you want to communicate to the audience, and sometimes the best way to do that is to present a provocative idea in a format that is comfortable for them to receive. Then the idea will come through directly, right in solar plexus. After all, I want to make a living as an artist, and that means speaking to the audience in a form they can understand.”

Thinking Way Want Feels Writing Mean Ideas Sometimes Play Form Artist Three Interest Audience Comfortable Structure Communicate Best Way Crafts Pushing Dressings Format Provocative Subversive

Author:Caridad Svich

“Even in the things that look most frivolous there has to be the threat of something quite painful to make the comedy work. I suppose the play of mine that's best know is NOISES OFF, which everyone thinks is a simple farce about actors making fools of themselves. But I think it makes people laugh because everyone is terrified inside themselves of having some kind of breakdown, of being unable to go on. When people laugh at that play, they're laughing at a surrogate version of the disaster which might occur to them.”

“There's a lot of hyperventilation that takes off before the [Sundance Film] Festival, a lot of buzz. Every year we hear, this is going to be the new this, this is going to be the new that, and it never is. The buzz just doesn't mean anything. I'm glad it doesn't. Because I think the festival shows that what succeeds is content.”

Thinking Years Mean Shows Film Succeed Glad Crafts Festivals Buzz Film Festivals Sundance

Author:Robert Redford

Quote by Frederic Raphael

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