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Quote by Lucy Maud Montgomery

Work

Delphi Complete Works of L. M. Montgomery (Illustrated)

The Delphi Complete Works of L. M. Montgomery (Illustrated) is a comprehensive compilation of the author's extensive literary output. It features her classic novels such as 'Anne of Green Gables' and 'Rilla of Ingleside,' as well as her poetry and other writings. Each work is accompanied by illustrations, enhancing the reader's experience and providing a visual representation of Montgomery's vivid imagination and storytelling. more

Author

Lucy Maud Montgomery
Lucy Maud Montgomery

Lucy Maud Montgomery was a Canadian author renowned for her children's literature, particularly the 'Anne of Green Gables' series. Her works are celebrated for their refreshing style and profound insights into human nature. more

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“He had also the reputation of being a bit of a lady killer. But that probably accrued to him from his possession of a laughing, velvety voice which no girl could hear without a heartbeat, and a dangerous way of listening as if she were saying something that he had longed all his life to hear.”

“In the political jargon of those days, the word "intellectual" was an insult. It indicated someone who did not understand life and was cut off from the people. All the Communists who were hanged at the time by other Communists were awarded such abuse. Unlike those who had their feet solidly on the ground, they were said to float in the air. So it was fair, in a way, that as punishment the ground was permanently pulled out from under their feet, that they remained suspended a little above the floor.”

“And when that crop grew, and was harvested, no man had crumbled a hot clod in his fingers and let the earth sift past his fingertips. No man had touched the seed, or lusted for the growth. Men ate what they had not raised, had no connection with the bread. The land bore under iron, and under iron gradually died; for it was not loved or hated, it had no prayers or curses.”

“Today is such a time, when the project of interpretation is largely reactionary, stifling. Like the fumes of the automobile and of heavy industry which befoul the urban atmosphere, the effusion of interpretations of art today poisons our sensibilities. In a culture whose already classical dilemma is the hypertrophy of the intellect at the expense of energy and sensual capability, interpretation is the revenge of the intellect upon art.”