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Quote by Philip Kitcher

“Any writer who could handle all these different voices would deserve high praise, but to do so without any sense of jarring or incoherence is an extraordinary accomplishment.”

Quote by Philip Kitcher

Author

Philip Kitcher, born on February 20, 1947, is a philosopher, writer, and academic. His research interests are primarily in the fields of philosophy of science, epistemology, and moral philosophy. more

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“I think the tone of mockery Heller finds is a part of Mann's irony, but only a part - a brilliant further touch consists in juxtaposing perspectives so that we're led to wonder whether the mockery itself is the last word.”

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“Was Mann himself fully aware of all the facets of his irony? Probably not - any more than Shakespeare was fully aware of all the riches subsequent critics have found in his plays.”

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“Mann was conscious of adopting different perspectives in different parts of the novella, but my guess is that there are plenty of passages in which the resonance of the words he chose struck him as exactly right (even though he didn't probe to discover exactly what tone or narrative device gave them that effect).”

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“Mann's sexuality and his attitudes towards it are extremely complex - and the complexities are inherited in the figure of Aschenbach. Mann had lived through a series of (almost certainly unconsummated) relationships with young men.”

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“After the success of Buddenbrooks, he married and fathered six children. Yet the surviving diaries tell us of recurrent sexual problems - and of Katia Mann's extremely sympathetic response to them”

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“Wilhelmine Germany was hostile to the expression of same-sex love - and, of course, Mann would have known of the fate of Oscar Wilde. His early reading of Platen's poetry, and, probably when he was in his early twenties, of Platen's diaries, introduced him to a form of sexual expression he found profoundly congenial. It's not quite Platonic.”

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“There's a disciplined erotic component to it, so that the height of sexual contact is the embrace, the modest touch, a relatively chaste kiss. An important passage from the surviving 1942 diary (one I quote in the book) relates this mode of sexual expression to his own life. Mann had returned to his diary for 1927 (one of those he burned) and to his parting from the young man, Klaus Heuser, whom the family had met on holiday and invited to Munich.”

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“Klaus Mann saw very clearly how different was his own (more liberated) form of homosexuality from the same-sex attractions of his father - and that is reiterated in TM's diary queries about "how two men can sleep together".”

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