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Quote by Glennon Doyle Melton

“My destiny is to remind you to look up from the castles you're building in the sand long enough to notice the cathedrals that God's building all around you - without you, without your sweat, without your tears, without your consent. While you dream your dreams, he's busy building your destiny. And there is as much beauty in your destiny as there was in your dream. Let go and believe that whatever its is, it will be beautiful.”

Quote by Glennon Doyle Melton

Work

Carry On, Warrior: Thoughts on Life Unarmed

This book is a compilation of reflective essays that delve into the author's experiences and insights on navigating life's obstacles. The title suggests a focus on personal growth and the power of inner strength in the face of adversity. more

Author

Glennon Doyle Melton

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“If for some reason creative channels are closed or the ability to find some outlet for the creative drive is blocked, then the course of the drive is deflected and the energy will be turns toward destructive ends: mental illness, alcoholism, drugs, sex, suicide.”

“No work exists in a vacuum: everything you make and do as an artist or designer sits within the history of art and design and the wider world at the time that you make it. Without deeply knowing what surrounds our own creative output, we cannot assert its place in the world. Therefore, developing an in-depth research process is central to evolving a robust and informed art and design practice.”

“Life is one long story we tell ourselves to make sense of the world, and in our quest for meaning, we make other people players in our own psychomachia. Sometimes the consequence of doing that can be terrible, like what happened to me. But it’s worth remembering that everyone is trying their best to look for their dragon, to find the heart of their story, and to then tell it as well as they are able”

“I cannot get enough of Dutch art. You can turn to this other world -- and it is a picture world as no other, a whole society visualised through time and place, seasons and generations, moment by moment -- and live inside it in your thoughts. There is always more of it, and then inexhaustibly more. Every time I think I have seen my last Dutch painting another comes into view, in some old museum or faraway city. I once saw, in a hotel in Algiers, a Dutch still life of redcurrants glinting on a silver dish and was momentarily transported to a long-ago Delft day. Paintings can take you anywhere, but they are also a land in themselves, a society, a place to be.”

“And then I saw it. My father's wood: thick by then with twenty years' growth, but still not fully mature. A half-grown wood of oak trees around that little clearing, which, with my new perspective, I could see made the shape of a heart. I stared down at the clearing. The heart was unmistakable; tapered at the base with the strawberry field in the centre; a stand of trees to form the cleft. How long had it taken my father, I thought, to plan the formation, to plant out the trees? How many calculations had he made to create this God's-eye view? I thought of the years I had been at school; the years I had felt his absence. I remembered the contempt I'd felt at his little hobby. And finally I understood what he'd tried to say to me on the night of my wedding. 'Love is the thing that only God sees.' I'd wondered at the time what he meant. My father seldom spoke of love; rarely showed affection. Perhaps that was Tante Anna's influence, or maybe the few words he'd had were all spent on Naomi. But here it was at last, I saw: the heart-shaped meadow in the wood, a silent testament to grief; a last, enduring promise. Love is the thing that only God sees. I suppose you'd say that's because he sees into our hearts. Well, if he ever looks in mine, he'll see no more than I've told you. Confession may be good for the soul. But love is even better. Love redeems us even when we think ourselves irredeemable. I never really loved my wife- not in the way that she deserved. My children and I were never close. Perhaps that was my fault, after all. But Mimi- yes, I loved Mimi. And I loved Rosette Rocher, who was so very like her. One day I hope Rosette will see the heart-shaped meadow in the wood, and know that love surrounds her, whether see can see it or not. And you, Reynaud. I hope one day you can feel what only God sees, but which grows from the hearts of people like us: the flawed; the scarred; the broken. I hope you find it one day, Reynaud. Till then, look after Rosette for me. Make sure she knows my story. Tell her to take care of my wood. And keep picking the strawberries.”