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Quote by Said Sayrafiezadeh

“I was trying to hold up a mirror to this country, to reflect the past years or so, and the varying degrees in which we've been affected by the war(s) that doesn't seem to end. And we've all been affected somehow, even if we have no connection to the military, even if we don't know anyone who's killed or been killed. No one escapes something so large.”

Quote by Said Sayrafiezadeh

Author

Said Sayrafiezadeh

Said Sayrafiezadeh is an American fiction writer born in 1968. His works often focus on themes of immigration and identity, depicting individual experiences under different cultural backgrounds with delicate pen strokes. more

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“The benefit of writing a collection - as opposed to a novel - is that I'm able to have some version of the war in each story without having to comment on its all-encompassing nature. Turn the page and here are new characters and new situations, but the war remains... Isn't that how life has been for us for over a decade?”

Writing Has Beens War Character Stories Able Turns Situation Novel Benefits Pages Remains Decades Versions Collections Comment New Situations

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“Of course, I had a paradigm of a certain city in my head when I wrote these stories, a city that inspired my imagination, but it was only inspiration.”

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“This is one of the ways fiction is more liberating than nonfiction - I don't have to be so concerned with fact. I had the paradigm of certain people in my head who became my characters, but I never considered these people to be from a "certain sector of society," unless we agree that we're all from certain sectors of society.”

People Way Character Facts Certain Fiction Concerned Agree Nonfiction Liberating Paradigm

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“I don't work with an outline, except a vague one in my head, a general idea of character, place, arc... I'm like a composer with a symphony in their head: I can hear the music, I just have to figure out how to put it down on paper. But I don't always know where my stories are going when I begin.”

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Author:Said Sayrafiezadeh

“I sometimes have to write for a while before I figure it out, pretend that I know what I'm doing, sort of like ad-libbing on stage until you remember your line - you hope you sound convincing to the audience. The key is to have enough material, enough threads, so that there's something that can be satisfyingly drawn to a conclusion.”

Knows Writing Sometimes Enough Remember Sound Lines Audience Stage Figures Materials Keys Conclusion Ads Thread Convincing

Author:Said Sayrafiezadeh

“When the ending finally comes to me, I often have to backtrack and make the beginning point towards that ending. Other times, I know exactly what the ending will be before I begin, like with the story "A Brief Encounter With the Enemy." It was all about the ending - that's what motivated me.”

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Author:Said Sayrafiezadeh

“[Ending] is partly drawn from a desire to shock the audience, to brutally de-romanticize what many Americans think is happening overseas. And partly drawn from my own childhood: violence and a loss of innocence. But keep in mind that, as a writer, I'm both the criminal and the victim. I'm not trying to get out of anything easy.”

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“Love and happiness inextricably combined? I wanted love stories to coincide with war stories, I wanted hope for my characters, I wanted a sense of a future. So do they. So does the reader. But perhaps I shouldn't speak for everyone when I say that love and happiness are interdependent. In my own experience, happiness came with love. Specifically, my wife. That's when my own apathy and stasis ended for good.”

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“Remember, the enemy comes to kill still and destroy. But now they're going to inspect themselves? Oh, what could go wrong with that? Yes, don't call us. We'll call you, they say. And that's really good because [Barack] Obama is standing by with his mighty phone and his mighty pen in case they stretch the truth a little. And they start dropping bombs.”

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“An agent is a person who is sore because an actor gets 90% of what they make.”

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