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Get Out of Here Alive: Inner Alchemy & Immortality

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Sol Luckman

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“We can simply—as a matter of principle and power preservation—refuse to participate in unproductive arguments or engage in conversations that diminish our sense of self-worth. Grasp that silence in this context isn’t about passive aggression or suppressing our voice; it’s about recognizing when our energy is better spent elsewhere … or not spent at all.”

“Conflicts are, of course, an inevitable part of life. When dissension arises and testosterone runs high, our instinctual response is to defend our point of view by proving the other party wrong. But as with fighting back unnecessarily, this stubborn approach rarely leads to resolution and often fans the flames of conflict.”

“Death resists all comparison and simile. This is something I learned in my first year at Rassambur. To say death is like a land beyond the sea or like an endless scream is to miss the point. Death is not like anything. There is no craft analogous to Ananshael’s work. The truest response to his mystery and majesty is silence. On the other hand, to remain silent is to encourage the fantasies of the uninitiate— skulls brimming with blood, graveyard orgies, infants dangling like impractical chandeliers from the ceilings of candlelit caverns— and so maybe an imperfect analogy is better than none at all. Take a grape. The purple skin is muted, as if by mist or fog. Polish it, or not, then pop it into your mouth. The flesh is firm beneath the cool smooth skin. If you find yourself becoming aroused, stop. Start your imagining over. The grape is a grape. Imagine it properly, or this will not work. Now. What does the grape taste like? A grape tastes like a grape? Of course not. Until you bite the grape, it has no taste. It might as well be a stone lifted from the cold current of some river in autumn: a smooth, chill orb, reticent, flavorless. You could hold it trapped between your palate and tongue forever, with only the faintest hint of juice at the tiny breech where it was plucked from the stem. You are like that grape— plump with slick, rich sweetness, with wet purple life. The truth of life is the grape's truth: only when jaws bite down, when the skin splits, when the sun-cold flesh explodes onto the tongue does it matter. Without the moment of its own destruction, the grape is just a smooth, colorful stone. Without the foreknowledge of the woman who holds it in her hand, her anticipation, before it even passes her lips, of the mangled skin and the sweet life draining over the tongue, the grape would hold no savor… We are not stones. Our human skin is thin, the life inside us bright. And death? The god I serve? He is the jaw locked around us, the promise of a sweet purple destruction without which we would be no more than so much polished rock.”

“Nonreaction isn’t about ignoring the problem or suppressing your emotions, but about choosing a more skillful and, dare I say, more eloquent response. It’s about recognizing that your silence can be more disarming than any logical (or illogical) argument.”

“In his moments of lucidity, which would later become increasingly rare and painful, he suggested an explanation of what was happening to him: “I am a guilty man. That is why I am being punished like Abuya's heretical sons, I gazed when I should not have gazed and turned my eyes away when I should not have. I saw a sin committed… a crime…I could have, I should have, done something, called out, shouted, struck a blow. I forgot our precepts, our laws, that require an individual to struggle against evil wherever it appears. I forgot that we can never simply remain spectators, we have no right to stand aside, to keep silent, to let the victim fight the aggressor alone. I forgot so many things that day…That is why I am forgetting other things now. Can there be anything worse than that?” Yes, there was worse, there is worse: to forget that one has forgotten.”