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Quote by Rudolph Hiferding

“In fact, this can happen only when the conditions for commodity production and exchange are equal for all members of society; that is to say, when they are all independent owners of their means of production who use these means to fabricate the product and exchange it on the market. This is the most elementary relationship, and constitutes the starting point for a theoretical analysis. Only on this basis can later modifications be understood; but they must always satisfy the condition that, whatever the nature of an individual exchange may be, the sum of exchange acts must clear the market of the total product. Any modification can be induced only by a change in the position of the members of society within production. In fact, the modification must take place in this manner because production and the producers can only be integrated as a social unit through the operation of the exchange process. Thus the expropriation of one section of society and the monopolization of the means of production by another modify the exchange process, because only there can the fact of social inequality appear. However, since the exchange relationship is one of equality, social inequality must assume the form of a parity of prices of production rather than an equality of value. In other words, the inequality in the expenditure of labour (which is a matter of indifference to capitalists since it is the labour expenditure of others) is concealed behind an equalization of the rate of profit. This kind of equality simply underlines the fact that capital is the decisive factor in a capitalist society. The individual act of exchange no longer has to satisfy the requirement that units of labour in exchange shall be equal, and instead the principle now prevails that equal profits shall accrue to equal capitals. The equalization of labour is replaced by the equalization of profit, and products are sold not at their values, but at their prices of production.”

Quote by Rudolph Hiferding

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Rudolph Hiferding

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“The ripe, the golden month has come again, and in Virginia the chinkapins are falling. Frost sharps the middle music of the seasons, and all things living on the earth turn home again... the fields are cut, the granaries are full, the bins are loaded to the brim with fatness, and from the cider-press the rich brown oozings of the York Imperials run. The bee bores to the belly of the grape, the fly gets old and fat and blue, he buzzes loud, crawls slow, creeps heavily to death on sill and ceiling, the sun goes down in blood and pollen across the bronzed and mown fields of the old October.”

“Oh come now," Bast reproached, his smile falling away. "That's just insulting." "By earth and stone, I abjure you!" Kote dipped his fingers into the cup by his side and flicked droplets casually in Bast's direction. "Glamour be banished!" "With cider?" Bast managed to look amused and annoyed at the same time as he daubed a bead of liquid from the front of his shirt. "This better not stain.”

“Isaac took a long swig from the unmarked bottle. He'd tasted her cider before, but this bottle was completely different, yet just as wonderful. The apple was more prominent, yet not sweet, almost funky but in a good, blue-cheese way. He held the bottle up to the light and could see the sediment swirling in the bottom. "This is amazing- so different from the other one." Sanna grinned. "You really like Olive? I wasn't sure when I blended it. Not everyone likes the murkiness." "Olive?" Sanna leaned against the counter, putting her weight on her wrist as she studied him for a long moment, her eyes squinting. She took a long drink from her own bottle. "I see colors when I make ciders. I can't explain it. Each juice has its own hue. That's what those paintings represent." She pointed at the watercolors over the fireplace. "A new color comes to me, and I blend the juices until I can re-create it in the flavor. And this one is Olive." "You color-code your ciders?" He struggled to understand what she was telling him. "No." She reached across the counter and pulled her journal toward her. She opened it and handed it to Isaac. As she sipped her cider, he studied the page, then the next page, then the next. On each was a swatch of layered color, all wildly different from one another- reds, greens, teals, colors he didn't really have names for. Next to the colors were measurements, apple varieties, percentages, and flavor notes. Scribbles filled the margins and equations contained both numbers and words. Things like sugars and acidity were measured and tested. It was part recipe book, part coloring book, and part wine label, with a hint of spell book. Looking at it was like opening a tiny door into the back of her head. She saw things that no one else did, an imaginary world of cider only she could see. "You can see the color in your head?" "It's the easiest way to explain it. A color pops into my head, and I know what it will taste like. When I blend the different raw ciders together, I know I have it right when it matches what I've imagined.”

“Yesterday, she had pulled out of the freezer a few special juices from the Looms that she had frozen last fall and set them in the cooler to thaw. When she had pressed them last October, they hadn't produced as much juice as the apples from younger trees, but even the raw juices by themselves were interesting and complex, layers of apple and honey and something earthier. At the time, she'd decided to save them for inspiration to strike. As she had lain in bed, though, waiting for the first rays of light, a color blossomed. A rosy pink, with a hint of coral, bold and opaque. It didn't have any sharp edges. She knew instantly it required juice from one of the Looms. She measured and blended, noting each of the juices she used and in what combination. Two parts Rambo, one part Winesap, a half part Britegold. She sipped it, but the color was too red, almost searing. She needed something to mute it. She walked into the large freezer where she had stored some of the frozen juices and even a few bushels of frozen apples she was experimenting with. She ran her fingers over the giant apple ice cubes in flattened Ziploc bags, closing her eyes and letting the colors emerge- green, periwinkle, sunshine yellow, and a sunset orange.”

“You brewed this?" Sanna cringed at the term brew, but didn't feel like going into the difference between brewing and fermenting- so she nodded and focused on her food. That way, she couldn't pay attention to how his long fingers held the glass in his hands as he studied the color. He may as well have been studying her. She felt exposed and naked as he took another sip. Did he like it? Hate it? Not everyone liked cider, and normally she didn't care. She didn't want to care now. Instead, she built the perfect forkful of Parmesan, lettuce, and crouton rather than watch him- but that didn't stop her from hearing the clink of glass on his teeth as he took a much longer sip. "That's astounding," he said. "It goes so much better with the meal than any red wine I've ever had." He smacked his lips and took another sip. "It really lets the food shine." Sanna had to respond. She couldn't ignore him no matter how much she wanted to. She couldn't keep eating, then escape with a plate of dessert to the loft as she usually did. She couldn't rewind time to the beginning of the summer when she only thought about the next cider she wanted to blend. Or ignore that the memory of him washing her hands after her dad's accident had played through her mind before she'd fallen asleep every night that week. "Thank you." That's all she could muster and hoped it would be enough. She could feel her father watching her, and Mrs. Dibble half listening to their very one-sided conversation. She sipped her own cider and enjoyed the burst of soothing rich brown that rushed her senses. Toasty really wasn't the right term. It was lush and alive, like peat or a balanced dark chocolate. "Sanna, this is amazing." His voice was soft and rumbling as he tried to keep the conversation from prying ears and eyes. When did their chairs become so close? They had an entire table. His voice in her ear was rich, just like the cider was in her throat. She couldn't help but look at him, and his face was so close. Everything about him was rich and balanced. He was the physical embodiment of this cider. Would she discover more layers the longer she knew him? He was close enough that the flecks of gold in his eyes sparkled at her like the cider's missing effervescence. He was close enough for her to smell the cider on his breath, the color of it making her light-headed and giddy.”

“How to Taste An Apple: I find it mildly irksome to see someone eating an apple while walking down the street, unaware that a body sense event is happening, and perhaps focusing on something else entirely at the time. Ideally, one should select a fruit of known ripeness and take it with a plate and knife to a quiet place. Slice it to mouth-size portions, either all at once or as you eat, and when the slice is in the mouth, concentrate on the mouthfeel and the flavor. It may immediately enliven the taste buds or slowly unfold its complexity. Analyze the sugar, tannin, acid, and aroma of what you taste and if it is elusive do not despair: the magic of the taste of a particular variety may be its elusiveness. If given full attention, the act of eating an apple can become a mind-expanding experience.”