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Quote by John Powell

“A métrica, o ritmo e o andamento todos têm o seu papel no nosso prazer. Ainda que os nossos batimentos cardíacos não estejam ligados ao andamento, certamente que consideramos andamentos mais lentos como sendo mais relaxantes e mais empolgantes os que são mais rápidos. Esta tensão estará provavelmente ligada ao facto de não gostarmos da incerteza e, especialmente, ao nosso receio de não conseguirmos lidar com uma situação.”

Quote by John Powell

Book:How Music Works: The Science and Psychology of Beautiful Sounds, from Beethoven to the Beatles and Beyond
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How Music Works: The Science and Psychology of Beautiful Sounds, from Beethoven to the Beatles and Beyond

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John Powell
John Powell

John Powell, born in 1925 in the United Kingdom, was a renowned priest. He had a profound religious background and dedicated himself to spreading Christian teachings, providing spiritual guidance to countless believers during his lifetime. more

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“O trabalho de um compositor talentoso é criar expectativas e depois ou satisfazê-las ou frustrá-las. Mas o compositor não pode nem deve tentar um empolgamento constante. Como em qualquer história que se conte, ou mesmo num espetáculo de fogo de artifício, acrescentam-se algumas passagens mais calmas, deliberadamente, para que os momentos importantes causem mais efeito.”

HistóriaJohn PowellComo Funciona A MúsicaEspetáculoCompositorFogo De Artifício
Book:How Music Works: The Science and Psychology of Beautiful Sounds, from Beethoven to the Beatles and Beyond
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“Sejam quais forem os seus gostos atuais, há provavelmente muitos tipos de música que lhe dariam imenso prazer se tentasse conhecê-los um pouco melhor. O meu conselho é este: tente ser um pouco mais aleatório nas coisas que ouve e seja justo na avaliação dos novos tipos de música que ouvir. (…) Os géneros musicais não são exclusivos e uma maneira fácil de ter uma vida mais divertida é aumentando o espectro das coisas que ouve.”

John PowellComo Funciona A MúsicaConselho
Book:How Music Works: The Science and Psychology of Beautiful Sounds, from Beethoven to the Beatles and Beyond
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“The chances of satisfying my renewed appetite for literary exchanges increased once I began to visit the library more frequently and make my way from the hotel to City Lights Bookstore at 261 Columbus Avenue. For all I was learning about the role its founder, Lawrence Ferlinghetti, had played in helping to nurture, promote, and sustain the talented souls who made the Beat Movement possible, City Lights became a kind of sacred space for me.”

San FranciscoBookstoresHotelsSacred SpacesLiterary MovementsLawrence FerlinghettiBeat MovementCity Lights Bookstore
Book:Greeting Flannery O'Connor at the Back Door of My Mind
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“MANIFESTO OF THE HUNGRY GENERATION Poetry is no more a civilizing maneuver, a replanting of the bamboozled gardens; it is a holocaust, a violent and somnambulistic jazzing of the hymning five, a sowing of the tempestual Hunger. Poetry is an activity of the narcissistic spirit. Naturally, we have discarded the blankety-blank school of modern poetry, the darling of the press, where poetry does not resurrect itself in an orgasmic flow, but words come out bubbling in an artificial muddle. In the prosed- rhyme of those born-old half-literates, you must fail to find that scream of desperation of a thing wanting to be man, the man wanting to be spirit. Poetry of the younger generation too has died in the dressing room, as most of the younger prosed -rhyme writers, afraid of the Satanism, the vomitous horror, the self-elected crucifixion of the artist that makes a man a poet, fled away to hide in the hairs. Poetry from Achintya to Ananda and from Alokeranjan to Indraneel, has been cryptic, short-hand, cautiously glamorous, flattered by own sensitivity like a public school prodigy. Saturated with self-consciousness, poems have begun to appear from the tomb of logic or the bier of unsexed rhetoric. Published by Haradhon Dhara from 269 Netaji Subhas Road, Howrah, West Beng”

HungryalismLiterary Movements
Author:Malay Roychoudhury
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Love Quotes
Author:anmol joll
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“Movements in literature were not caricatures - in the sense that they actually functioned as an ideology in politics does. As now a monopolistic ideology in politics prevails in the literature as well a single movement prevails: that of networking as a literary quality. Quality = networking is the magic formula: take a Krijn Peter Hesselink, never managed to score a positive review but reviews are old news: it is only referential authority trickling down from that network pyramid that counts. Thus, nowadays its perfectly possible to be on top of the Pyramid without ever getting a positive review, or - even worse - I even see people rising in literary ranks that have never written any books at all. Ergo, your point that another ideology would make a 'caricature' of literary history is exactly the same reasoning used by neoliberals to deconstruct any political change: another ideology? Impossible, because they no longer exist, only we still exist. In this way you get a pyramid shape you also see in popular music. It's still the bands from the 70's and 80's who earn the big money. New talent can't really play ball anymore. This of course embedded in a sauce of eternal talent shows, because the incumbent males have to just keep pretending they are everyone's benefactors. In the literature its the same: it is still Pfeijffer that gets the large sums of money from the Foundation of Literature, and it's still Samuel Vriezen pretending that that doesn't matter. 'Controversy' therefore structurally undesirable. After all, it would require a redistribution of power. The pyramid is especially interested in promoting mediocre types that promote safe and boring life visions, because then one ever needs to fear for his position, which, in case of serious controversy, they'd be forced to defend. Ergo, 100 interviews with Maria Barnas, and zero with Martinus Benders.”

ControversyLiterary MovementsIlja PfeijfferMaria Barnas
Author:Martinus Hendrikus Benders
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