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Quote by Junot Diaz

“They say it came from Africa, carried in the screams of the enslaved; that it was the death bane of the Tainos, uttered just as one world perished and another began; that it was a demon drawn into Creation through the nightmare door that was cracked open in the Antilles. Fukú americanus, or more colloquially, fukú - generally a curse or doom of some kind; specifically the Curse and the Doom of the New World. No matter what its name or provenance, it is believed that the arrival of Europeans on Hispaniola unleashed fukú on the world, and we've all been in the shit ever since.”

Quote by Junot Diaz

Book:The Brief Wondrous Life of Oscar Wao
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Work

The Brief Wondrous Life of Oscar Wao

This novel is a rich tapestry of cultural and historical elements, weaving together the story of Oscar Wao, a young man living in New Jersey, with the epic history of his family and the Dominican Republic. more

Author

Junot Diaz
Junot Diaz

Junot Díaz is a renowned American writer known for his magical realism style and profound social commentary. His works often focus on the lives of Dominican and Puerto Rican immigrants in the United States, particularly the roles of women in these communities. Díaz's debut novel, 'Drown,' won the National Book Award, and his second novel, 'The Brief Wondrous Life of Oscar Wao,' earned the Pulitzer Prize for Fiction. more

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“They say it came first from Africa, carried in the screams of the enslaved; that it was the death bane of the Thainos, uttered just as one world perished and another began; that it was a demon drawn into Creation through the nightmare door that was cracked open in the Antilles. Fukú Americanus, or more colloquially, fukú-generally a curse or a doom of some kind; specifically the Curse and Doom of the New World.”

FictionCurseDominican RepublicDominicanAntillesTainos
Book:The Brief Wondrous Life of Oscar Wao
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“While the noble man lives in trust and openness with himself (gennaios 'of noble descent' underlines the nuance 'upright' and probably also 'naïve'), the man of ressentiment is neither upright nor naive nor honest and straightforward with himself. His soul squints; his spirit loves hiding places, secret paths and back doors, everything covert entices him as his world, his security, his refreshment; he understands how to keep silent, how not to forget, how to wait, how to be provisionally self-deprecating and humble. A race of such men of ressentiment is bound to become eventually cleverer than any noble race; it will also honor cleverness to a far greater degree: namely, as a condition of existence of the first importance; while with noble men cleverness can easily acquire a subtle flavor of luxury and subtlety—for here it is far less essential than the perfect functioning of the regulating unconscious instincts or even than a certain imprudence, perhaps a bold recklessness whether in the face of danger or of the enemy, or that enthusiastic impulsiveness in anger, love, reverence, gratitude, and revenge by which noble souls have at all times recognized one another. Ressentiment itself, if it should appear in the noble man, consummates and exhausts itself in an immediate reaction, and therefore does not poison: on the other hand, it fails to appear at all on countless occasions on which it inevitably appears in the weak and impotent.”

Ressentiment
Book:On the Genealogy of Morals / Ecce Homo
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“Supposing that what is at any rate believed to be the 'truth' really is true, and the meaning of all culture is the reduction of the beast of prey 'man' to a tame and civilized animal, a domestic animal, then one would undoubtedly have to regard all those instincts of reaction and ressentiment through whose aid the noble races and their ideals were finally confounded and overthrown as the actual instruments of culture; which is not to say that the bearers of these instincts themselves represent culture. Rather is the reverse not merely probable—no! today it is palpable! These bearers of the oppressive instincts that thirst for reprisal, the descendants of every kind of European and non-European slavery, and especially of the entire pre-Aryan populace—they represent the regression of mankind! These 'instruments of culture' are a disgrace to man and rather an accusation and counterargument against 'culture' in general!”

CultureReactionRessentiment
Book:On the Genealogy of Morals / Ecce Homo
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